Here at Escape Studios, we know how you all enjoy getting to the heart of what makes up a stunning VFX shot. So imagine our delight when hearing that Prime Focus World have just released the first of a new behind-the-scenes web series, ‘Close Up’. And let me tell you, these nuggets of geekiness will not disappoint.
Want to get up close and personal with PFDepth? You are in luck!
We are pleased to announce that The Pixel Farm team, the creators of industry favourites PFMatchit and PFTrack, will be over in the UK for an exclusive evening with Escape Studios Technology at The Sun & 13 Cantons in Soho on the 21st of November 2012.
As a design graduate with 7 years’ experience working within design departments in architecture and retail I spent what time I could learning how to model and animate to create short sequences influenced mainly by films I like. Although fun, learning that way means progress is very slow as is the rate of improvement - at least in my case anyway. I wanted to get better quicker and that's why I signed up for the VFX Production course.
Want to be a part of a European forum to discuss the latest research, advances and state-of-the-art industry practises?
It seems that for the last decade, a whole plethora of films have been remade when the original should never have been touched. Classic cult offerings such as Assault on Precinct 13, Cape Fear, Death Race 2000 and even Clash of the Titans have all undergone a reworking, which some might say was wholly unneeded.
Looking to learn something new? If that’s the case, then we have two webinars coming soon that deserve your attention. Both webinars range from beginner friendly, to the more advanced, where NUKE operators can learn more about how to apply Python to their projects. Both webinars are at either end of the spectrum, concentrating on the art of compositing in all its different forms. So to get a better understanding of skilful compositing, make sure you tune in for either or both presentations.
Prime Focus World is the VFX house behind another big box office success, delivering 650 stereo VFX shots for “Dredd” in 3D. To put that into perspective for you, that’s 90% of the VFX for the entire movie. What’s more, this was achieved over a 24-week production period. A massive achievement on an epic scale!
For the first time ever the whole team from RealFlow are coming to London for an exclusive RealFlow 2013 Preview. This event will be the first time that the RealFlow team has previewed the advanced alpha version of this software in public and will be a unique opportunity for you to see first-hand what to expect from RealFlow 2013.
Compositing in regards to VFX can be a difficult process to explain unless seen in action. Although the term may seem quite self-explanatory to those working in the industry, that’s not generally the case for those starting out, looking to break into the industry. And as we speak with budding CG artists every day, we feel it’s important to understand what sets compositing apart from the 3d modelling elements of VFX. As it’s only when you truly understand the range of departments that exist in the visual effects industry, can you make the right career decision.
October is certainly bursting with exciting events for the digital geeks among us. One to mention is our very own VFX Festival, the other is the VIEW Conference, a premiere international event in Italy for computer graphics, interactive techniques, digital cinema, 2D/3D animation, gaming and VFX. Running from 16th to 19th October in Torino, this 4-day event is overflowing with lectures, meetings, tributes, exhibits, screenings, workshops and demo presentations. And better still, our very own Daniel Shutt is among the exciting line-up for this year’s launching event.
If you’re an avid reader of 3D Artist magazine, then make sure to look out for an article on Escape and the VFX course we run here. Released in this weeks issue (issue 46, September 12th), this is a rather lovely article. The 'Course Focus' section is a regular feature in this mag, so we’re pretty chuffed they wanted to include our VFX course in this issue.