By now, we’re guessing, many of you VFX fans out there will have seen Zack Snyder‘s Man of Steel. If you haven’t, we’re sure you have a valid excuse. And for those of you who have, you may have noticed the epic credits list for the VFX department in particular. As we respectfully stay at the end of the movie to watch the credits roll, we’re always proud to spot names we recognise among the list – the names of our graduates.
When it comes to VFX, Compositors are the masters of make-believe. They're the magicians who create the illusion of reality in every CG shot. They can look at a shot and tell you exactly what's wrong with it and the best way to correct it. In essence, they are true artists with an eye for beauty and their devotion to it means we get to watch something stunning every time.
Like all our Open Days here at Escape, the next is set to be even more epic than the last. On July 10th we’ll be joined by industry legend Steve Begg, who’s 27 years' of experience in the industry is quite intimidating. VFX Supervisor on titles such as Skyfall, Batman Begins, Casino Royale, The Golden Compass, Red Dwarf, Aliens... the list goes on… Steve has a great many anecdotes to share, as well as some golden nuggets of wisdom!
Ever found yourself watching something with really cool effects and were left wanting to know how on earth they made that? If the answer is yes, then you’re not alone. We meet people like you every day here at Escape, and it’s your curiosity in the mechanics of VFX that shows you have the right aptitude to take it in and understand the technology behind it. VFX artists are curious beings by nature, who love experimenting with new technologies and ideas. It’s why they have so much fun in their day jobs.
Doctor Who is a real household name for many people who grew up wanting to understand what VFX were all about, nowadays we consider the 70’s and 80’s visuals rather novelty, but it’s worth considering that a lot of these opinions are derived from unfair context of hindsight.
Last week we were joined by Junior Lighting TD and Escape graduate Alastair Cross for a webinar that shows another side to VFX. The Hollywood side of VFX is probably why most of us want to work in the CG industry, but CG artists are putting their skills and knowledge to good use in lots of different areas. If you missed this webinar, the great news is we recorded it and the recording is now available to watch on our YouTube channel.
On March 20th 2013, Prime Focus World N.V. gained equity investment from AID Partners (a private equity firm focused on expansion capital and buyout opportunities specifically in the media and entertainment sector). Investing USD 10 million, this venture has contributed significant value to Prime Focus Limited as a whole, valuing the company at a total of USD 250 million.
How to get into and survive Film, Advertising and TV post-production is topping the charts on free Kindle downloads, out-doing Star Wars. Pretty epic! If this tells us anything, it’s that there are still a healthy number of talented people looking to break into the post side of production. The author of this very popular book is none other than Klaudija Cermak, a compositing tutor who previously taught here at Escape Studios, and she certainly knows her stuff!
It is a truth universally acknowledged, that a career in Visual Effects is far from boring. As far as careers go, this is an industry that keeps us on our toes, offering us a never ending number of new creative project ideas to be realised, fun new problems to be solved and new technologies to be developed. This is an industry that constantly pushes us to learn and discover more.
It's very easy to lose creative motivation and it's something every artist will experience at some stage in their career. We all got into Visual Effects to work in a creative career, so why stop living the dream? To remain on the cutting edge of creativity, sometimes you need to take yourself out of your comfort zone and remind yourself of the things in VFX that speak to you the loudest - because ultimately that’s what will drive your best work.
To get a real good grasp of compositing and the discipline that surrounds it, there’s no better way than seeing the process in action for yourself. And if this is something that sounds right up your street, the only other thing to add is that your guide for this comp session is none other than NUKE devout, Simon Richardson.
Lincoln is very much a hit with the award bodies this year. Having only just recently hit the cinemas, the film has already scooped up a Golden Globe and a BAFTA as well as being nominated for 12 Oscars. And although this is all very lovely, we’re more interested in the stunning results achieved by Framestore for this epic biopic. Providing the backdrop of 1865 America, a country ripped in two by civil war, Framestore worked alongside the filmmakers to make a historically accurate recreation that was both invisible and believable. And having already proved their expertise on Spielberg’s previous project War Horse, Framestore have obviously earned the trust and respect of Steven and his team.
A big thank you to the ladies from WFTV (Women in Film and TV) for organising a networking event last night for women who work in technical roles across film and television. Three of us (Davi Stein, Anita Gribble and myself) from Escape went along to see what was going down! We had a great time meeting women from lots of different fields. Among them was a DOP, a few editors and to our delight two effects TD’s from MPC.
Recruiters in any company will be sent hundreds of applications on a weekly basis, and when it comes to getting your application noticed, just try putting yourself in their shoes for a moment. For example, their first job is to sort through the good from the bad. Your challenge, should you choose to accept it, is to impress at a glance.
Cinematic Color: From Your Monitor to the Big Screen, documents current state-of-the-art practices for accurately working with color throughout the visual effects and animation process.