Those who study VFX, listen up! There are only 2 weeks left to apply for MPC’s ‘Comp Academy' and ‘Global First Step’ internships.

It's very easy to lose creative motivation and it's something every artist will experience at some stage in their career. We all got into Visual Effects to work in a creative career, so why stop living the dream? To remain on the cutting edge of creativity, sometimes you need to take yourself out of your comfort zone and remind yourself of the things in VFX that speak to you the loudest - because ultimately that’s what will drive your best work.

London is a bustling hive of culture over the weekends and if you’re looking for some activities to do over the weekend, then the Kinetica Art Fair is for you, if you’re a fan of moving, interactive art and sculptures then will truly have a whale of a time!

Lincoln is very much a hit with the award bodies this year. Having only just recently hit the cinemas, the film has already scooped up a Golden Globe and a BAFTA as well as being nominated for 12 Oscars. And although this is all very lovely, we’re more interested in the stunning results achieved by Framestore for this epic biopic. Providing the backdrop of 1865 America, a country ripped in two by civil war, Framestore worked alongside the filmmakers to make a historically accurate recreation that was both invisible and believable. And having already proved their expertise on Spielberg’s previous project War Horse, Framestore have obviously earned the trust and respect of Steven and his team.

Recruiters in any company will be sent hundreds of applications on a weekly basis, and when it comes to getting your application noticed, just try putting yourself in their shoes for a moment. For example, their first job is to sort through the good from the bad. Your challenge, should you choose to accept it, is to impress at a glance.

Cinematic Color: From Your Monitor to the Big Screen, documents current state-of-the-art practices for accurately working with color throughout the visual effects and animation process.

Happy New Year folks, hope you all got the things you wanted for Christmas. I certainly did; that pony was a long time coming. Let's kick off the new year with another one of my trademark spotlight blogs, focusing on Battlestar Galactica; Blood and Chrome. (Shout out to user DHW who posted about this after my last blog)

We’re back, and with that we’re preparing some exciting events, bringing you the very best in VFX education. Kicking things off as we mean to continue we're holding a live interview and career talk, and look forward to an exciting 2013 filled with creativity and VFX know-how. We look forward to sharing the latest goings-on within the industry. But most of all, we look forward to seeing what you lovely people are creating or will create with the right training behind you.

What sets 2D and 3D visual effect artists apart? Most would say, not a lot. Both teams of artists are necessary in the creation of stunning CG visuals. But have you ever wondered why someone would choose one path over another? What makes the ultimate Compositor or 3D VFX artist?

Having started a VFX course here at Escape Studios, I’m keeping a diary to share with you how I’ve been getting on so far. And here's an update on week six.