Those who study VFX, listen up! There are only 2 weeks left to apply for MPC’s ‘Comp Academy' and ‘Global First Step’ internships.
It's very easy to lose creative motivation and it's something every artist will experience at some stage in their career. We all got into Visual Effects to work in a creative career, so why stop living the dream? To remain on the cutting edge of creativity, sometimes you need to take yourself out of your comfort zone and remind yourself of the things in VFX that speak to you the loudest - because ultimately that’s what will drive your best work.
To get a real good grasp of compositing and the discipline that surrounds it, there’s no better way than seeing the process in action for yourself. And if this is something that sounds right up your street, the only other thing to add is that your guide for this comp session is none other than NUKE devout, Simon Richardson.
Lincoln is very much a hit with the award bodies this year. Having only just recently hit the cinemas, the film has already scooped up a Golden Globe and a BAFTA as well as being nominated for 12 Oscars. And although this is all very lovely, we’re more interested in the stunning results achieved by Framestore for this epic biopic. Providing the backdrop of 1865 America, a country ripped in two by civil war, Framestore worked alongside the filmmakers to make a historically accurate recreation that was both invisible and believable. And having already proved their expertise on Spielberg’s previous project War Horse, Framestore have obviously earned the trust and respect of Steven and his team.
A big thank you to the ladies from WFTV (Women in Film and TV) for organising a networking event last night for women who work in technical roles across film and television. Three of us (Davi Stein, Anita Gribble and myself) from Escape went along to see what was going down! We had a great time meeting women from lots of different fields. Among them was a DOP, a few editors and to our delight two effects TD’s from MPC.
Recruiters in any company will be sent hundreds of applications on a weekly basis, and when it comes to getting your application noticed, just try putting yourself in their shoes for a moment. For example, their first job is to sort through the good from the bad. Your challenge, should you choose to accept it, is to impress at a glance.
Cinematic Color: From Your Monitor to the Big Screen, documents current state-of-the-art practices for accurately working with color throughout the visual effects and animation process.
Having started a VFX course here at Escape Studios, I’m keeping a diary to share with you on how the course is going. Here's my update from week 11!
Happy New Year folks, hope you all got the things you wanted for Christmas. I certainly did; that pony was a long time coming. Let's kick off the new year with another one of my trademark spotlight blogs, focusing on Battlestar Galactica; Blood and Chrome. (Shout out to user DHW who posted about this after my last blog)
We have welcomed a great many students to our studio over the years, and those students all share something in common. That is, a passion for creativity and to start a career in visual effects. Students come from far and wide to attend our training facility, and emerge with skills that are truly mind blowing for 12 weeks of training. Each and every student invests extraordinary dedication to their work, and through that we are treated to some fantastic results.
We’re back, and with that we’re preparing some exciting events, bringing you the very best in VFX education. Kicking things off as we mean to continue we're holding a live interview and career talk, and look forward to an exciting 2013 filled with creativity and VFX know-how. We look forward to sharing the latest goings-on within the industry. But most of all, we look forward to seeing what you lovely people are creating or will create with the right training behind you.
Something Pixar are always great at is sharing their wealth of wisdom with fellow artists. Having come across this wonderful snippet of inspiration the other day, I felt it needed to be shared with all you compositing and VFX artists out there. It’s important to know that even the guys at the top have a tough time!