I will happily admit that my taste in what I watch on television has always been teetering on the edge of strange.
Another month and a half has flown by, and this afternoon we hosted the end-of-course presentation for our latest round of escapees. Gathered in our breakout space, the afternoon has been filled with laughter and applause. The quality of work on show has been, as ever, astonishing—it never ceases to amaze just how far our students progress in such a short period of time; and we feel confident these bright young things now stand in good stead to polish up those all-important industry-cracking showreels.
We are coming up to that time of year, the time of year that fills single people with dread, fills kids with joy and will empty out most people's wallets. Yes we are in the run up to Christmas...in fact you only have 45 days to prepare yourself.
Having just started the VFX for Production course here at Escape Studios, I've been keeping a diary to share how the course is going for me so far. And here's an update on week two. The class is truly in full swing, and when it came to writing my diary, it seemed to be over before I knew it had started. Time flies when you're having fun!
Just over a week ago we let you know that we are hosting “A Pint With The Pixel Farm” an exclusive event in Soho.
The evening of the 21st of November will be the first chance since IBC for the UK users to get up close and personal with The Pixel Farm's new 2d to 3d conversion and depth map creation software, PFDepth. The above video is a little sneak peek of what you can expect to see at The Sun & 13 Cantons, Great Pultney St.
As Training Advisor here at Escape Studios, I speak with a lot of people looking to take the leap into VFX. Although everyone’s situation differs considerably, I do find that many have the same concerns. So after speaking with past student Ashley Miles about his experience on the VFX for Production course, I thought I should share some pearls of wisdom, to help clear up any concerns you have about embarking on this new career path.
We’ve all been on-board an aeroplane watching with little interest, the safety demonstration given by the air stewardesses. Or if you have a sense of humour like mine, you try and make them laugh during their demonstrations by any means necessary.
We all know the importance good VFX play in films. They can turn scenes of total disbelief into ones leaving you asking how on earth did they do that?
It’s been quite a busy morning here at Escape! Our CEO Dom Davenport was interviewed alongside Framestore’s Sir William Sargent at their motion capture studio by BBC Breakfast. The lovely Steph McGovern who presents the breakfast slot conducted the interviews dressed fully in motion-capture gear and Irish danced as the famous Harry Potter animated character Dobby!
Thinkbox, the makers of Deadline & Krakatoa, have developed a large number of application and plugins designed to extend existing pipelines and operate seamless with each other to create new workflows. Many of the software platforms that Thinkbox have created started in-house to refine dozens of VFX feature films over 15 years of production.
Here at Escape Studios, we know how you all enjoy getting to the heart of what makes up a stunning VFX shot. So imagine our delight when hearing that Prime Focus World have just released the first of a new behind-the-scenes web series, ‘Close Up’. And let me tell you, these nuggets of geekiness will not disappoint.
Want to get up close and personal with PFDepth? You are in luck!
We are pleased to announce that The Pixel Farm team, the creators of industry favourites PFMatchit and PFTrack, will be over in the UK for an exclusive evening with Escape Studios Technology at The Sun & 13 Cantons in Soho on the 21st of November 2012.
With the help of some top class industry speakers, cinemas in a handful of the world’s most prolific post houses, a dedicated team of Escape staff and some fantastically helpful VFX Marshalls, it is no surprise the UK’s first ever VFX Festival, was a storming success.
As a design graduate with 7 years’ experience working within design departments in architecture and retail I spent what time I could learning how to model and animate to create short sequences influenced mainly by films I like. Although fun, learning that way means progress is very slow as is the rate of improvement - at least in my case anyway. I wanted to get better quicker and that's why I signed up for the VFX Production course.