Due to the unprecedented demand for our 12 Week Visual Effects Production courses we have just opened up another VFX classroom for January! Having filled the two existing January dates so quickly, and while we are still receiving enquires for these courses, we wanted to give as many people as possible the opportunity to start with us in January.

Here is my usual Weekly Round-Up of News, with stories that I have picked up over the past week. If you have suggestions for stories I missed, just drop me a line or post a comment.

As a creative professional, we hope you’re going to find the information below as exciting as we do. Last week, 14^th November 2011, NVIDIA announced the arrival of NVIDIA Maximus, a technology that is set to revolutionise the way we all work. Delivering significantly increased speed and productivity to any pipeline with a single system that allows you to achieve a range of compute-intensive and graphics-intensive tasks simultaneously, you may start to wonder how you ever managed without it.

The 10th Edition of the VES (Visual Effects Society) Awards is upon us, and whilst I know many of you will already be working on your entries for it, I thought I would take time to write about it in this blog to encourage those of you who haven't considered entering the competition.

Time’s up! Escape Studios’ CG Whiz competition 2011 is now closed. Our judges are starting work behind the scenes and boy, do they have some work to do! What a breath of fresh air this year’s entries have been! The standard has been exceptionally high and unbelievably inspiring. Not only are they technically accomplished, but they are also proof of the raw talent that continues to emerge. All, I'll say is that I’m glad I'm not judging the countless number of entries; they’d all get my vote!

The latest version of OCULA has arrived. Last Thursday, 3^rd November 2011, The Foundry announced their release of OCULA 3.0, a leading live action, stereo-3D correction and integration toolset for compositors. A production proven tool, OCULA is a plug-in that has been used extensively on major productions such as Avatar, TRON: Legacy, Pirates of the Caribbean: On Stranger Tides and Transformers: Dark of the Moon. For these films, working in stereoscopic 3D had many undiscovered challenges. Over a course of trial and discovery, OCULA has developed into a reliable tool that meets the demands of artists to mend polarisation issues in photographic plates or correct common stereo-3D defects with precise speed and ease.

The more obsevant among you will have noticed that I didn't publish my round up for a couple of weeks - apologies for this, but I decided it was time to take a well deserved holiday. Still, I am back now, and here is my usual Weekly Round-Up of News, with stories that I have picked up over the past week. If you have suggestions for stories I missed, just drop me a line or post a comment.

There’s less than two weeks to go before CG Whiz 2011 closes to new entries, so we thought we’d take a look at the entries we’ve so far received for this year’s contest. We’ve had nearly 80 entries already and we’ve been blown away by the level of talent out there.

Western Digital, one of the worlds largest hard drive manufacturers, has been badly affected by recent flooding in Thailand where they have two production plants. The one in Bang Pa-in Industrial Park is completely destroyed, with equipment submerged in water. The other in Navanakorn Industrial Park is struggling to keep flooding at bay.

In this month's free tutorial, I have a real treat for you - something which I know many VFX artist wish they could do. It all stems from my experience working in the industry where I have so often witnessed artists resorting automatically to using Maya's Render Tool when they could actually be so much more efficient if they knew some of the alternatives available to them.