It is a truth universally acknowledged, that a career in Visual Effects is far from boring. As far as careers go, this is an industry that keeps us on our toes, offering us a never ending number of new creative project ideas to be realised, fun new problems to be solved and new technologies to be developed. This is an industry that constantly pushes us to learn and discover more.
So, many of you will be on wind down for the long weekend which is almost upon us, but for us here at Escape it’s business as usual, well, almost...
It's very easy to lose creative motivation and it's something every artist will experience at some stage in their career. We all got into Visual Effects to work in a creative career, so why stop living the dream? To remain on the cutting edge of creativity, sometimes you need to take yourself out of your comfort zone and remind yourself of the things in VFX that speak to you the loudest - because ultimately that’s what will drive your best work.
Another busy day on Front-of-House…
This morning, Escape Relationship Manager Anita Gribble and Head of 2D Davi Stein, took students on a trip to the heart of the West End – to see the newly opened Double Negative facility in Great Portland Street, which opened just 3 months ago! As is always the case with our studio visits, everyone set off early with an unquenchable thirst for knowledge and a hunger for adventure.
To get a real good grasp of compositing and the discipline that surrounds it, there’s no better way than seeing the process in action for yourself. And if this is something that sounds right up your street, the only other thing to add is that your guide for this comp session is none other than NUKE devout, Simon Richardson.
As readers of our blog will know, we grab any Star Wars news by the horns, grind it into a couple hundred words, and blog the Sith out of it.
This occasion is no different, and while just last month, Star Wars fans everywhere were petitioning to get a death star built and launched into space, Industrial Light and Magic (VFX Brainchild of Star Wars creator George Lucas) were busy putting together a timeline of their journey, creating the Death Star for it’s first appearance in ‘Star Wars Episode IV: A New Hope’.
It shows the milestones of an iconic studio as well as the creation of one of the most iconic images in cinematic history.
Lincoln is very much a hit with the award bodies this year. Having only just recently hit the cinemas, the film has already scooped up a Golden Globe and a BAFTA as well as being nominated for 12 Oscars. And although this is all very lovely, we’re more interested in the stunning results achieved by Framestore for this epic biopic. Providing the backdrop of 1865 America, a country ripped in two by civil war, Framestore worked alongside the filmmakers to make a historically accurate recreation that was both invisible and believable. And having already proved their expertise on Spielberg’s previous project War Horse, Framestore have obviously earned the trust and respect of Steven and his team.
The legend that created the lab process of travelling mattes, (that’s blue/green screens to the rest of us) sadly passed away last week, at the grand age of 96.
I officially love The Walking Dead but hate the long breaks in between series (can I get an Amen to it's return this month!) so thankfully Skybound - the same company that publishes TWD comics - has produced a top-notch game app to see us through those tough times and give us our zombie slaughtering fixes.
Our friends over at View Conference Italy, last week unveiled that they will be providing cash prizes for winners of their different awards. The prizes vary from top of the range tablets to a lump sum of 2000 Euros. The categories for application are as follows (complete with direct links)