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Michael Hansmeyer: Computational Architecture

Michael Hansmeyer: Computational Architecture

Here is an amazing chap called Michael Hansmeyer. Michael studied as an architect and programmer. He explores the use of algorithms and computation to generate architectural forms for artistic and commercial purposes.

The images of the forms that he creates are very intricate and beautiful...check them out.

0 Comments mark spevick

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mark spevick
Wed 18 Apr 2012: 4:00pm

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What Does it Take to Look this Good? Come Along and Find Out...

What Does it Take to Look this Good? Come Along and Find Out...

When it comes to catching recruiters’ eye, it’s all about looking good. And this is when only the best showreels will cut the mustard. You have 10 seconds to impress and there is no room for error or work that you're half hearted about.

0 Comments Paul Wilkes

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Paul Wilkes
Tue 17 Apr 2012: 5:39pm

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A Webinar at The Mill, Beer, Pizza and Bond…

A Webinar at The Mill, Beer, Pizza and Bond…

Last week Claire Anderson, Talent Manager at The Mill divulged some of the greatest tips and tricks young artists need to apply in order to cut it in the VFX Industry. I have to say; I couldn’t help but feel a little awestruck listening to our Training Manager and Claire chat away during the 40 minute webinar because of the room we were stationed at. It was like something from a bond movie – check out the pictures! Filled with The Mill’s previous conquests (let’s be clear that I’m talking about Oscars and Bafta’s here….) I kept expecting a drinks cabinet and a man with a white cat to appear from behind one of the walls. One thing’s for sure, The Mill certainly know what they’re talking about and have the awards to prove it.

3 Comments Bethan Lofthouse

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Bethan Lofthouse
Mon 16 Apr 2012: 10:35am

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How did I get a job with that reel?

We always like to showcase our wonderful ‘Escapees’ work. Adam Dewhirst is no exception. However, what I thought we would do is take a look back to Adam's early work to where he is today... It's an interesting journey…!

0 Comments Mark Cass

Posted by
Mark Cass
Fri 13 Apr 2012: 11:22am

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Performance Capture in "Wrath of the Titans"

Performance Capture in "Wrath of the Titans"

We're big fans of IKinema and its unique ability to save artists from the heartache of confronting the tricky and often time-consuming task of motion capture. We came across a great article on the CG Channel blog this week that we just had to share with you all.

0 Comments Tim Flett

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Tim Flett
Fri 13 Apr 2012: 10:00am

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The new season of Game of Thrones

The new season of Game of Thrones

Being relatively new to CG and to Escape Studios I am still astounded by the standard of work that comes from our students. Despite studying Media Production at University, where I majored in Scriptwriting, I never knew the actual amount of effort that goes into creating CGI. It gives me a completely new perspective on everything that I watch in the cinema and at home on TV. 

1 Comments Olivia Grout

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Olivia Grout
Thu 12 Apr 2012: 5:29pm

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Return of the 48hrs Sci-Fi Challenge… This Weekend!

Return of the 48hrs Sci-Fi Challenge… This Weekend!

Every year Sci-Fi London runs a competition inviting Sci-Fi fans and filmmakers to take part in a 48hrs film challenge. Armed with a title, a line of dialogue, a scientific theme and a specified prop, competing teams have two days to develop and make a 5 minute short film. The winning film is premiered during the London Sci-Fi Film Festival, and also benefits from a promotional platform through The Guardian newspaper website, as well as a development deal with independent UK production company, Vertigo Films.

1 Comments Ellen Payne

Posted by
Ellen Payne
Thu 12 Apr 2012: 12:00pm

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Latest VFX Reel from Our Students

Latest VFX Reel from Our Students

The quality of work that our students create during their Visual Effects Production course is always awesome and there's no doubt it's getting better and better. When you consider that every student doesn't just attend their daytime lessons. They have to find, track, model, light, texture, render and composite a shot in just 6 weeks that shows the extent of their ability. One of our former students and now Studio Assistant Ashley Miles remembers how stressful it can get.

0 Comments Flora Ho

Posted by
Flora Ho
Thu 12 Apr 2012: 10:40am

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"The most important thing about my job? That I still get to blow stuff up!"

When Sue Rowe, Cinesite’s senior VFX Supervisor on John Carter, came in to talk to our students it was like a breath of fresh air. Reassuringly, despite having masses of technical and creative responsibility, her fundamental joy is much the same as the students studying with us – that blowing stuff up is what still excites her.

4 Comments Bethan Lofthouse

Posted by
Bethan Lofthouse
Wed 11 Apr 2012: 8:56am

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SCRATCH: An All-In-One Tool for Post-Production Pipelines

SCRATCH: An All-In-One Tool for Post-Production Pipelines

Industry proven among some great names in the VFX industry, SCRATCH has played a significant role for an impressive list of film and documentary titles. Developed by software vendor, ASSIMILATE Inc., it is the highly flexible and comprehensive tool for digital workflows, giving you a range of features at your disposal. SCRATCH can manage dailies, versioning, conform, colour grading and finishing all within one application. Often referred to as a ‘post-house in a box’, this tool has a great many qualities to impress.

0 Comments Tim Flett

Posted by
Tim Flett
Thu 5 Apr 2012: 3:30pm

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Who's That in the Spotlight?

Who's That in the Spotlight?

Every month, Develop review the brightest and best courses and colleges in the world of Computer Graphics. And this week, we've found ourselves in the spotlight!

0 Comments Mark Cass

Posted by
Mark Cass
Thu 5 Apr 2012: 2:30pm

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A Picture Paints a Thousand Words...

A Picture Paints a Thousand Words...

Those smiles pretty much tell this story! On 28th of March 2012 one of our Compositing classes had the exciting opportunity of having their work critiqued by two of MPC's finest: Christine Troianello and Doug Larmour and they loved every minute of it. The project they were asked to complete was a 115'" shot requiring both roto and keying which is taught on the course. The assignment was not without its challenges though! They had to deal with heavy motion-blur, integration of the key and the roto, as well as the amount of detail certain parts of the shot required. Toya Drechsler took the time to explain what the whole experience was like.

0 Comments Bethan Lofthouse

Posted by
Bethan Lofthouse
Wed 4 Apr 2012: 10:30am

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Register for Our Free Tutorials and Webinars through Facebook

Register for Our Free Tutorials and Webinars through Facebook

Facebook isn't just a great tool for knowing what's going on in the world but it's also the perfect place to showcase your work and sign up for the latest freebies.

0 Comments Emanuela Ferrante

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Emanuela Ferrante
Wed 4 Apr 2012: 9:31am

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To the End of an Era!

To the End of an Era!

About 18 months ago I quit my job as a support analyst for IBM, left the comfort of my friends and family in Dublin and moved to London to pursue my dream of working as a visual effects artist in the post production industry.

1 Comments Alastair Cross

Posted by
Alastair Cross
Fri 30 Mar 2012: 4:44pm

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Great 3D Visualisation Event at the Barbican

Great 3D Visualisation Event at the Barbican

Last night, Thursday 29th March, was the Art of 3D Visualisation event at the Barbican Centre, and we’re delighted to report it was a great success. To start with, the setting was spectacular. The Barbican is an inspiring setting for architectural design. The event kicked off in the conservatory terrace, a hidden treasure in the heart of the Barbican and a lavish space with a back drop of decorative tropical plants. This time was spent wisely, arming ourselves with a cold drink the proceedings moved to Cinema 3 where we and our guests were treated to four presentations from five fantastic speakers.

1 Comments Ellen Payne

Posted by
Ellen Payne
Fri 30 Mar 2012: 4:00pm

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Escapees Day Out with Framestore, Part 2

Escapees Day Out with Framestore, Part 2

Moving on from the presentation by Kevin Jenkins we turned our attention to Ben Morris who gave us the low-down on his role as a VFX Supervisor. As we watched the end sequence of War Horse, which is the part where we discover the fate of our hero’s horse, we all became a little misty eyed, but were quickly reassured by Ben that no horses were harmed during the making of this film. Needless to say, we were all very impressed with the great VFX work done by the guys at Framestore and how realistic the horse looked. Surely Mr Spielberg wouldn't have it any other way.

0 Comments Flora Ho

Posted by
Flora Ho
Wed 28 Mar 2012: 3:00pm

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Escapees Day Out with Framestore, Part 1

Escapees Day Out with Framestore, Part 1

Last Friday, 23rd March, the students at Escape Studios had a much deserved break from the studio in Soho. It was nice to finally catch a bit of sunlight as all of us have been cooped up indoors, out from this amazing weather. However, the blast of sunshine was short lived as we were to enter one of the largest VFX studios in Soho.

0 Comments Flora Ho

Posted by
Flora Ho
Wed 28 Mar 2012: 12:00pm

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This Work in ZBrush is Awesome!

This Work in ZBrush is Awesome!

I'm very rarely lost for words but after looking at Jason Martin's work, I really was. It is nothing short of phenomenal and the quality of detail of the work is beyond impressive. ZBrush is hard to beat within the sculpting world and Jason's work illustrates this perfectly. What's great about ZBrush is that it's like working with a piece of 3D clay, the tools are very similar to that of an artists toolbox you to visualise and create your concept pretty quickly. But don't let me convince you! Check it out for yourself and let us know what you think.

0 Comments Simon Fenton

Posted by
Simon Fenton
Tue 27 Mar 2012: 10:30am

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Nationwide Tax Break Policy for the CG Industry

I was pretty shocked last week when the Coalition Government reversed its position in their dramatic Budget announcement. The UK government has declared its intention to establish a nationwide games tax break policy, in a manoeuvre that leaves the British sector in shock and jubilation. They stated: "Following consultation on the design, the Government will introduce corporation tax reliefs for the video games, animation and high-end television industries from April 2013, subject to State aid approval," read the official budget report.

0 Comments Simon Fenton

Posted by
Simon Fenton
Mon 26 Mar 2012: 10:24am

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Pixomondo in London

Pixomondo in London

Pixomondo, an international visual effects company with eleven facilities worldwide, have a very talented team right here in London. Based just off Old Street, the London facility opened in 2010 and is one of the more recent additions to the Pixomondo global network. The company is currently growing from strength to strength, and is working on some very highly anticipated projects such as Snow White and the Huntsman, The Amazing Spiderman, and the new series of Game of Thrones. Over the past five years, Pixomondo has provided VFX production and supervision for over thirty high-concept feature films, including popular titles like Hugo, Red Tails, Sucker Punch, Journey 2: The Mysterious Island, Super 8, Fast Five, Percy Jackson & The Olympians: The Lightning Thief and 2012, to name just a few.  

0 Comments Ellen Payne

Posted by
Ellen Payne
Fri 23 Mar 2012: 3:00pm

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