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Industry Coaching with The Mill

Industry Coaching with The Mill

The current VFX Professional class were assigned The Mill as part of the ‘Industry Coaching’ scheme, which is a new initiative for us here at Escape Studios. The main idea behind the scheme is that we invite established post-production houses in Soho to mentor our students as they prepare to enter the industry as VFX artists. The VFX Professional course is our more advanced course for students who have completed the VFX Production course or artists already in the industry who are looking to further their knowledge in the field. For these students, getting advice from professionals working in the industry is golden, helping them prepare better for what is to come. Emmy Castelain was among the group during this visit, and this is what she had to say about their time at The Mill…

0 Comments Flora Ho

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Flora Ho
Wed 25 Apr 2012: 3:40pm

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A “Prometheus” Viral by Hoxton Redsox

A “Prometheus” Viral by Hoxton Redsox

Our friends at Hoxton Redsox recently completed a very fun job for one of their clients, Fox. This is the viral video for the upcoming release of Ridley Scott’s latest feature, PrometheusHappy Birthday David was designed and directed by Johnny Hardstaff and shows the unboxing of Weyland Industries robot David 8, played by Michael Fassbender. A great addition to a range of teasers produced for the lead up to this film, we recommend you all take a look.

2 Comments Tim Flett

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Tim Flett
Tue 24 Apr 2012: 1:01pm

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Escape Studios’ Studio 5 Framestore Visit

Escape Studios’ Studio 5 Framestore Visit

A recent venture undertaken here at Escape was to invite established post production houses in Soho to coach our students, to offer them direct feedback on their work here at our studio, and subsequently helping them prepare for what is expected once they enter the industry. On Thursday, 12th April 2012, the alumni class of Studio 5 attended the final coaching session with Framestore commercials, where they got to present their ‘end of course’ project to the VFX producers for feedback. Charles Downman was among the group presenting work that day, and here’s what he had to say about the experience...

2 Comments Flora Ho

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Flora Ho
Tue 24 Apr 2012: 12:18pm

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The Studio Workshop: Naming Conventions

The Studio Workshop: Naming Conventions

Following on from last Friday, welcome back to the Studios Assistant workshop, where Brad Collier-Brown and I share a few of the most common queries and solutions from the Escape Studios classroom, so you guys at home can learn a little something from us too.

2 Comments Ash Miles

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Ash Miles
Mon 23 Apr 2012: 2:27pm

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Now is When the Real Work Starts…

Now is When the Real Work Starts…

So we have a new class of students for the Visual Effects Production course and I thought I’d quickly run through what this class has been up to recently and where they’re at now in their studies. We are currently on week four and they have just started their first major project after covering the ins and outs of Maya (the industry go-to package in VFX). So far, we have covered modelling, UV’ing, texturing, some lighting and rendering and a bit of Photoshop just to mix it up a bit. To put all they have learnt into practice, they have been asked to create a CG object, integrate it into a backplate and to make it look photo-realistic.

1 Comments Brad Collier-Brown

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Brad Collier-Brown
Mon 23 Apr 2012: 1:48pm

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The Studio Workshop: Hidden Faces

The Studio Workshop: Hidden Faces

Welcome to the Studio Assistant workshop, with Ashley Miles and Brad Collier-Brown, and here's our debut issue. As studio assistants, our main job is to make sure both students and escapees are getting the most out of the Escape Studios experience, which involves answering a lot of weird and wonderful questions. We thought it'd be a good idea if we blogged a few of the most common queries and solutions every week, so you guys at home could learn a little something from us too.

1 Comments Ash Miles

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Ash Miles
Fri 20 Apr 2012: 2:00pm

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I Only Have Eyes For Nuke "2.5D" Part Two

I Only Have Eyes For Nuke "2.5D" Part Two

Following on from yesterday’s post, I want to continue the discussion of why NUKE has revolutionised the industry and is an incredible asset to any compositor. The popularity of NUKE is largely down to its advancements in 3D integration, not only with its own user interface (UI), but also its ability to communicate with other packages such as MARI and AtomKraft. Being acutely punned as NUKE's 2.5D space, the 3D system has sped up the conventional 2D workflow in areas such as paint and roto, as well as depth compositing. This 2.5D space allows users to build rudimentary geometries, which can then be projected on, textured, lit, shaded and rendered as complimentary 3D assets or as part of a standard 2D workflow.

0 Comments Simon  Richardson

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Simon Richardson
Thu 19 Apr 2012: 2:54pm

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Michael Hansmeyer: Computational Architecture

Michael Hansmeyer: Computational Architecture

Here is an amazing chap called Michael Hansmeyer. Michael studied as an architect and programmer. He explores the use of algorithms and computation to generate architectural forms for artistic and commercial purposes.

The images of the forms that he creates are very intricate and beautiful...check them out.

0 Comments mark spevick

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mark spevick
Wed 18 Apr 2012: 4:00pm

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What Does it Take to Look this Good? Come Along and Find Out...

What Does it Take to Look this Good? Come Along and Find Out...

When it comes to catching recruiters’ eye, it’s all about looking good. And this is when only the best showreels will cut the mustard. You have 10 seconds to impress and there is no room for error or work that you're half hearted about.

0 Comments Paul Wilkes

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Paul Wilkes
Tue 17 Apr 2012: 5:39pm

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A Webinar at The Mill, Beer, Pizza and Bond…

A Webinar at The Mill, Beer, Pizza and Bond…

Last week Claire Anderson, Talent Manager at The Mill divulged some of the greatest tips and tricks young artists need to apply in order to cut it in the VFX Industry. I have to say; I couldn’t help but feel a little awestruck listening to our Training Manager and Claire chat away during the 40 minute webinar because of the room we were stationed at. It was like something from a bond movie – check out the pictures! Filled with The Mill’s previous conquests (let’s be clear that I’m talking about Oscars and Bafta’s here….) I kept expecting a drinks cabinet and a man with a white cat to appear from behind one of the walls. One thing’s for sure, The Mill certainly know what they’re talking about and have the awards to prove it.

3 Comments Bethan Lofthouse

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Bethan Lofthouse
Mon 16 Apr 2012: 10:35am

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How did I get a job with that reel?

We always like to showcase our wonderful ‘Escapees’ work. Adam Dewhirst is no exception. However, what I thought we would do is take a look back to Adam's early work to where he is today... It's an interesting journey…!

0 Comments Mark Cass

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Mark Cass
Fri 13 Apr 2012: 11:22am

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Performance Capture in "Wrath of the Titans"

Performance Capture in "Wrath of the Titans"

We're big fans of IKinema and its unique ability to save artists from the heartache of confronting the tricky and often time-consuming task of motion capture. We came across a great article on the CG Channel blog this week that we just had to share with you all.

0 Comments Tim Flett

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Tim Flett
Fri 13 Apr 2012: 10:00am

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The new season of Game of Thrones

The new season of Game of Thrones

Being relatively new to CG and to Escape Studios I am still astounded by the standard of work that comes from our students. Despite studying Media Production at University, where I majored in Scriptwriting, I never knew the actual amount of effort that goes into creating CGI. It gives me a completely new perspective on everything that I watch in the cinema and at home on TV. 

1 Comments Olivia Grout

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Olivia Grout
Thu 12 Apr 2012: 5:29pm

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Return of the 48hrs Sci-Fi Challenge… This Weekend!

Return of the 48hrs Sci-Fi Challenge… This Weekend!

Every year Sci-Fi London runs a competition inviting Sci-Fi fans and filmmakers to take part in a 48hrs film challenge. Armed with a title, a line of dialogue, a scientific theme and a specified prop, competing teams have two days to develop and make a 5 minute short film. The winning film is premiered during the London Sci-Fi Film Festival, and also benefits from a promotional platform through The Guardian newspaper website, as well as a development deal with independent UK production company, Vertigo Films.

1 Comments Ellen Payne

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Ellen Payne
Thu 12 Apr 2012: 12:00pm

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Latest VFX Reel from Our Students

Latest VFX Reel from Our Students

The quality of work that our students create during their Visual Effects Production course is always awesome and there's no doubt it's getting better and better. When you consider that every student doesn't just attend their daytime lessons. They have to find, track, model, light, texture, render and composite a shot in just 6 weeks that shows the extent of their ability. One of our former students and now Studio Assistant Ashley Miles remembers how stressful it can get.

0 Comments Flora Ho

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Flora Ho
Thu 12 Apr 2012: 10:40am

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"The most important thing about my job? That I still get to blow stuff up!"

When Sue Rowe, Cinesite’s senior VFX Supervisor on John Carter, came in to talk to our students it was like a breath of fresh air. Reassuringly, despite having masses of technical and creative responsibility, her fundamental joy is much the same as the students studying with us – that blowing stuff up is what still excites her.

4 Comments Bethan Lofthouse

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Bethan Lofthouse
Wed 11 Apr 2012: 8:56am

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SCRATCH: An All-In-One Tool for Post-Production Pipelines

SCRATCH: An All-In-One Tool for Post-Production Pipelines

Industry proven among some great names in the VFX industry, SCRATCH has played a significant role for an impressive list of film and documentary titles. Developed by software vendor, ASSIMILATE Inc., it is the highly flexible and comprehensive tool for digital workflows, giving you a range of features at your disposal. SCRATCH can manage dailies, versioning, conform, colour grading and finishing all within one application. Often referred to as a ‘post-house in a box’, this tool has a great many qualities to impress.

0 Comments Tim Flett

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Tim Flett
Thu 5 Apr 2012: 3:30pm

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Who's That in the Spotlight?

Who's That in the Spotlight?

Every month, Develop review the brightest and best courses and colleges in the world of Computer Graphics. And this week, we've found ourselves in the spotlight!

0 Comments Mark Cass

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Mark Cass
Thu 5 Apr 2012: 2:30pm

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A Picture Paints a Thousand Words...

A Picture Paints a Thousand Words...

Those smiles pretty much tell this story! On 28th of March 2012 one of our Compositing classes had the exciting opportunity of having their work critiqued by two of MPC's finest: Christine Troianello and Doug Larmour and they loved every minute of it. The project they were asked to complete was a 115'" shot requiring both roto and keying which is taught on the course. The assignment was not without its challenges though! They had to deal with heavy motion-blur, integration of the key and the roto, as well as the amount of detail certain parts of the shot required. Toya Drechsler took the time to explain what the whole experience was like.

0 Comments Bethan Lofthouse

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Bethan Lofthouse
Wed 4 Apr 2012: 10:30am

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Register for Our Free Tutorials and Webinars through Facebook

Register for Our Free Tutorials and Webinars through Facebook

Facebook isn't just a great tool for knowing what's going on in the world but it's also the perfect place to showcase your work and sign up for the latest freebies.

0 Comments Emanuela Ferrante

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Emanuela Ferrante
Wed 4 Apr 2012: 9:31am

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