You’ve seen the poster, watched the teaser videos and heard the chit chat, and you’re not mistaken, the VFX Festival is very much on the horizon. In January 2015 we’ll be hitting London’s Leicester Square armed with some of the most talented VFX artists on the planet, and I thought I’d put together a brief rundown of what’s in store, for those who haven’t had a chance to check out our brand new festival site yet.
If you’re an emerging writer or filmmaker with a passion for creating animated family films, the following message is for you!
Are you a budding Visual Effects student? Do you have a student project to show to the world? Then look further!
You’ve been talking about it, your friends have been talking about it, your friends’ friends have been talking about it, hell I even heard the milkman talking about it the other day, and now the date is finally here. That’s right, it’s time for you to start preparing for the VFX Festival 2015.
If you’re in the business of creative careers, then it’s likely you’ll be aware of Creative Skillset, an organisation that aims to plug skills gaps, identify funding needs, and train, develop and nurture people within creative industries.
The lovely folks over at Imagineer Systems have donated licenses for mocha Pro 4 to Escape Studios and just in time for their annual Mocha Halloween Video Contest! Imagineer Systems is the Academy Award-winning developer of mocha: Planar Tracking based visual effects solutions for film and video post production.
Anita, Vania and I were at VIEW Conference in Turin, Italy last week, and on Wednesday I hosted a NUKE Taster day style workshop for a packed house of 35 students. Most attendees came from 3 surrounding animation art schools within the arts centre in central Turin. After the session I had lunch with some of them and discovered that in their foundation year they are learning traditional animation, 3D and filmmaking, then specialising afterwards in 2D or 3D animation for their final project.
Whether you’re a seasoned VFX pro or just entering the industry, it’s highly likely that you would’ve seen and enjoyed the work of Paul Franklin, in fact considering the insane projects he’s been involved with, this blog doesn’t take much writing, so I’ll keep things short and sweet.
Compositing Master and long-time friend of Escape Victor Perez, has recently taken a new direction within his artistic career, and after years in the VFX biz, is taking the skills that he has accrued supervising on some huge projects (you may have seen his story on our Escape & Enter site) into the field of film Directing, and at the moment is embroiled in some pretty exciting projects.
David Han studied our 3D for VFX Online taster course earlier this year, and he answered a few questions about the experience!
First of all, I’d like to introduce myself; I’m Lola, and you can find me at Front of House at Escape Studios. I’ve recently joined the team and have been lucky enough to meet some of our lovely students and Escapees; feel free to pop by reception and say hi!
At the end of this month (29th September to be exact), starts Escape’s very first dedicated Motion Graphics course – a 12 week (part time) evening course for creative folk who want to take their digital designs to new heights. And with an internship at CAKE up for grabs, this course is launching its graduates into the industry, firing on all cylinders!
"Filmed on location within Tavares Bastos favela, Santa Teresa and The Maracanã in Rio de Janeiro, Brazil. The BBC World Cup 2014 titles visual effects were created by GeeFX Studios. The entire piece was done at 6k resolution, filmed with a Red Epic Dragon. Although only broadcast by the BBC in HD, you can view a 4K version on the RED youtube channel above. In conjunction with The Sex Pixels, Unlimited VFX Limited brought to life the statue of Brazil’s 1958 world cup winning captain, Hilderaldo Luiz Bellini, The Macarana stadium entrance and Brazillian sky were also augmented for dramatic effect.
During my five days at SIGGRAPH, one of the escapees i happened to bump into was Iveth Bueno, from my Compositing for Visual Effects class in 2013, she kindly wrote a blog for us about her experience as a SIGGRAPH 2014 volunteer!
The day started with a fab lesson from the guys that make Fabric Engine, a new procedural software for making tools for any 3D or 2D app, all accelerated on the GPU, very cool and exciting stuff; apparently it is the ice development team from the now defunct softimage. Lots of the big post houses have already adopted this software as an easier way of making tools and plugins.
Another great day at SIGGRAPH, we were up early for a meet and greet with educators in VFX, and discussions on how to teach VFX in the classroom and online. We then had a great panelled discussion on how to transition from a VFX Artist to a Teacher. The panel had some great Artists from ILM and top American Universities.