Star Wars Episode VII is on the horizon, and whether you are jumping in the air with excitement or recoiling every time the film's title is uttered – the creation of the motion picture is going to be one interesting venture.
Fan favourite film mag Empire recently released a list of cinema's greatest VFX shots as picked by industry experts and it certainly hit all the right notes. Classic scenes from Jurassic Park, Star Wars and The Abyss were all on there, but we were particularly proud to see number 1 being Davy Jones' face from POTC:DMC, which our very own Head of 2D and tutor Davi Stein worked on during her time at ILM! Congratulations Davi!
It’s been a sweltering couple of weeks, and in the UK, it’s a well-known fact that we love to talk about the weather, what kind of London based establishment would we be if we didn’t blog about it?
When it comes to VFX, Compositors are the masters of make-believe. They're the magicians who create the illusion of reality in every CG shot. They can look at a shot and tell you exactly what's wrong with it and the best way to correct it. In essence, they are true artists with an eye for beauty and their devotion to it means we get to watch something stunning every time.
For those of you out there who use MARI, some fantastic new additions to its functionality are now available for download and I highly recommend them!
Last week we were joined by Junior Lighting TD and Escape graduate Alastair Cross for a webinar that shows another side to VFX. The Hollywood side of VFX is probably why most of us want to work in the CG industry, but CG artists are putting their skills and knowledge to good use in lots of different areas. If you missed this webinar, the great news is we recorded it and the recording is now available to watch on our YouTube channel.
How to get into and survive Film, Advertising and TV post-production is topping the charts on free Kindle downloads, out-doing Star Wars. Pretty epic! If this tells us anything, it’s that there are still a healthy number of talented people looking to break into the post side of production. The author of this very popular book is none other than Klaudija Cermak, a compositing tutor who previously taught here at Escape Studios, and she certainly knows her stuff!
It is a truth universally acknowledged, that a career in Visual Effects is far from boring. As far as careers go, this is an industry that keeps us on our toes, offering us a never ending number of new creative project ideas to be realised, fun new problems to be solved and new technologies to be developed. This is an industry that constantly pushes us to learn and discover more.
Acquiring some VFX skills is a natural path for most people who are currently using all the great tools we have today for video/film production and editing. The technology has matured to the point where we (the average single graphics guy or gal) use it almost on a daily basis.
Humans beat machines hands down with this one...
It's very easy to lose creative motivation and it's something every artist will experience at some stage in their career. We all got into Visual Effects to work in a creative career, so why stop living the dream? To remain on the cutting edge of creativity, sometimes you need to take yourself out of your comfort zone and remind yourself of the things in VFX that speak to you the loudest - because ultimately that’s what will drive your best work.
The role of Visual Effects Supervisor is hugely important on set as well as during the whole post production process. This person works with both the Director and Clients to convert artistic concepts to stunning visual imagery.
While the days are cold, the nights are long, and we’ve seen the back of Christmas and New Year festivities, at one point or another, we all find ourselves daydreaming about the return of the summer sun. The smell of sun cream, the call of the beach, and the excuse to whack on a pair of shades, making ourselves look AT LEAST 20% cooler, is but a dream away at this, the tail end of January.