Last Thursday evening we hosted a recruitment event in honour of our Alumni from the last two years. The night was dedicated to celebrating their work in VFX so far, as well as a networking opportunity with recruiters from the leading VFX facilities in London. We were joined by Framestore, MPC, The Mill, Jellyfish Pictures, Milk VFX, Molinare, Rushes and ILM (Industrial Light and Magic).
I have intentionally waited until the afternoon to post this blog, so that all of you UK based sports fans that actually stayed awake to watch the coverage of the Superbowl last night, are now wide awake! So if you’ve finished your belated breakfast and have washed the beer stains out of your team jersey, then please cast your mind back to approximately 16 hours ago.
2D whiz Simon Richardson gave us a window of time recently to get our hands in his brain, and find out exactly what it takes to be a compositor. This unsung art form is one of the most important in VFX and more often than not, a viewer will have been fooled by the artistry of a compositor before any acting in a scene has even happened.
What's the secret behind breath-taking visual effects? There are lots of elements we need to consider before answering this question – such as modelling, texturing and lighting your scene - but a pivotal point in the process of bringing a computer generated image to life, is rendering. And one man who has dedicated a great many hours into this area is The Mill's Head of Maya Development, Suraj Harrington-Odedra.
Last Friday we took a train south to Bournemouth for the 2013 BFX awards ceremony, which was a truly wonderful event. Awarding and celebrating emerging talent from eleven UK universities, the teams who took part in this competition impressed us mightily.
Get ahead with tips from our webinar with The Mill’s Thomas Knight. For the vast majority of people, making the jump from training in your chosen field to actually working in it can be a daunting one to make, and this is no less true in the competitive world of VFX. Once you’ve got the skills, how do you stand out from the crowd and launch your career as a VFX artist?
So last night, there I was, enjoying having the flat to myself, only half watching a re-run of Grand Designs when the ad break came on and something made me sit up and take notice of the tv screen…
In this new Ad from IKEA, we see a gang of garden gnomes waging war against an influx of new modern furniture, appearing on their turf. Watch as the battle ensues and mass gnomes are killed in action, and after you’ve seen it, take a second to ponder how it was created!
To get a real good grasp of compositing and the discipline that surrounds it, there’s no better way than seeing the process in action for yourself. And if this is something that sounds right up your street, the only other thing to add is that your guide for this comp session is none other than NUKE devout, Simon Richardson.
How does someone go about getting a Junior Compositor role at an international VFX studio like The Mill? Well in this month’s tutorial Simon Richardson reveals how it all started for him. From experimenting with Adobe’s After Effects at University, Simon was introduced to basic keying techniques in a layer based system. And this was when the seed was planted that would flourish into him conquering NUKE, and working at one of the top VFX studios in the world.
The Mill recently completed a commercial for US client Norfolk Southern, showcasing the transformative power of freight shipping. Being a rather stunning piece of work, you may be interested to know that this project was rendered primarily using Mental Ray, taking advantage of the newish unified sampling feature.
As a design graduate with 7 years’ experience working within design departments in architecture and retail I spent what time I could learning how to model and animate to create short sequences influenced mainly by films I like. Although fun, learning that way means progress is very slow as is the rate of improvement - at least in my case anyway. I wanted to get better quicker and that's why I signed up for the VFX Production course.
As you probably know Escape Studios organised and hosted the UK’s first VFX Festival last week with events, seminars and master classes taking place across London. The VFX Festival went down an absolute storm and was a fantastic platform to demonstrate the success of the UK’s ever-expanding visual effects industry.
Riding on the excitement of the new Bond film, Skyfall, Heineken has a James Bond themed ad, featuring Daniel Craig. The VFX for the ad were done by none other than our good friends at The Mill, and the global TV and digital campaign will be activated across 32 markets and involves the participation of the film's stars, Daniel Craig and the latest Bond girl, Bérénice Marlohe.
Last Thursday, Escape Studios launched the UK’s first VFX Festival with an exclusive panel debate made up of the industry’s top flag bearers!
Anyone who knows Escape Studios will know how valued our Studio Assistants are. Representing the heart of Escape, they keep this VFX academy a well-oiled machine. From supporting current students with their projects, making sure deliveries go out on time, to editing showreel videos, no job is too big or too small. And in return they are in the best place to ready their showreels for that next step in to the CG industry.
Step into the mind-blowing world of VFX with The VFX Festival! Escape Studios has created the first ever four-day festival exploring the breathtaking world of visual effects, held in London on 10th-13th October.
Celebrating a decade of UK visual effects, the festival will be packed with the most respected VFX talent, visionaries and companies who have helped shape the industry. Offering inspirational insight behind the clever trickery in this booming VFX industry, with an exciting four-day programme packed with insider knowledge and information, showreel demos, hands-on workshops and exclusive premieres, it's perfect for those with a creative talent or thirst to develop their VFX Career.
When the award winning VFX team at The Mill approach a new project, they certainly don’t cut any corners. Setting out to create nothing but their absolute best, while pushing the boundaries of technology, these guys are serious about what they do. And you don’t win as many VFX awards as these guys without putting in the hard graft to make heads turn.