I think it’s fair to say, when it comes to films- everyone is a fan of behind the scenes photographs, especially when they’re of some of the most iconic movies of all time, AND they show the making of some of the most well-known scenes ever.
The recent release of Fast and Furious 6 sees a refreshing change of setting - to the streets of London, which is fairly apt given that the lasting impression on the audience seems to be the epic VFX scenes, many of which were created right here London at Double Negative.
Doctor Who is a real household name for many people who grew up wanting to understand what VFX were all about, nowadays we consider the 70’s and 80’s visuals rather novelty, but it’s worth considering that a lot of these opinions are derived from unfair context of hindsight.
Being a sports fan, I have been consistently impressed with improvements in viewer experience over the last few years. Technology has improved the situation of the armchair fan tenfold, making the long trip to their ground of choice at the weekend, increasingly less appealing.
Escapee Alessio Bertotti answers some questions on VFX and tells us about his time at Pixomondo Hamburg.
It’s on set pictures like these that remind us how important CG is in the world of blockbuster action movies.
So, many of you will be on wind down for the long weekend which is almost upon us, but for us here at Escape it’s business as usual, well, almost...
Acquiring some VFX skills is a natural path for most people who are currently using all the great tools we have today for video/film production and editing. The technology has matured to the point where we (the average single graphics guy or gal) use it almost on a daily basis.
As a 3D lover I am also a regular frequenter of Polycount. Some of you out there will no doubt already be familiar with this site, but for those that aren’t – it’s a community of pros and hobbyists that specialise in creating 3D for videogames, and it is always brimming with infatuating content.
Each time I watch a student show reel I am always blown away by how professional they look and this one (above) by Escapee Alastair Cross has impressed me in particular. Being a novice to the world of visual effects I’m always interested in getting to know how it all comes together and the ‘step-by-step’ breakdown he includes is extremely insightful.
With temperatures managing to, ahem, ‘soar’ into the low 20s this week I’ve become accustomed to spending my lunch break basking in the sun on Shepherd’s Bush Green and even dared to dig out the sun cream at one point!
I’ve always said that when I grow up I want to live in a tree house. I’m really drawn to the idea of being raised high up off the ground in a home built among the trees, preferably with a natural spring or waterfall running nearby. Well, the Sky Tower in Tom Cruise’s latest movie, Oblivion has certainly given that idea a run for its money.
If there’s one thing VFX artists appreciate, it’s the time and effort that goes into making a piece look unquestionably and perfectly lifelike.