Having started a VFX course here at Escape Studios, I've been keeping a diary to share how I’m getting on so far. And here's an update on week five.
Last Monday, November 19th, we ran a very popular webinar with Victor Perez, a master when it comes to using Python inside NUKE. A whopping ninety nine people attended this live webinar to hear what Victor had to share, and we’ve had an incredible number of requests from people who couldn’t attend to share the webinar recording. For us, this interest has been very encouraging, and we look forward to bringing you more webinars like this.
How does someone go about getting a Junior Compositor role at an international VFX studio like The Mill? Well in this month’s tutorial Simon Richardson reveals how it all started for him. From experimenting with Adobe’s After Effects at University, Simon was introduced to basic keying techniques in a layer based system. And this was when the seed was planted that would flourish into him conquering NUKE, and working at one of the top VFX studios in the world.
Attention Creative Cloud members!
I will happily admit that my taste in what I watch on television has always been teetering on the edge of strange.
Having just started the VFX for Production course here at Escape Studios, I've been keeping a diary to share how the course is going for me so far. And here's an update on week two. The class is truly in full swing, and when it came to writing my diary, it seemed to be over before I knew it had started. Time flies when you're having fun!
Just over a week ago we let you know that we are hosting “A Pint With The Pixel Farm” an exclusive event in Soho.
The evening of the 21st of November will be the first chance since IBC for the UK users to get up close and personal with The Pixel Farm's new 2d to 3d conversion and depth map creation software, PFDepth. The above video is a little sneak peek of what you can expect to see at The Sun & 13 Cantons, Great Pultney St.
As Training Advisor here at Escape Studios, I speak with a lot of people looking to take the leap into VFX. Although everyone’s situation differs considerably, I do find that many have the same concerns. So after speaking with past student Ashley Miles about his experience on the VFX for Production course, I thought I should share some pearls of wisdom, to help clear up any concerns you have about embarking on this new career path.
Thinkbox, the makers of Deadline & Krakatoa, have developed a large number of application and plugins designed to extend existing pipelines and operate seamless with each other to create new workflows. Many of the software platforms that Thinkbox have created started in-house to refine dozens of VFX feature films over 15 years of production.