Happy New Year folks, hope you all got the things you wanted for Christmas. I certainly did; that pony was a long time coming. Let's kick off the new year with another one of my trademark spotlight blogs, focusing on Battlestar Galactica; Blood and Chrome. (Shout out to user DHW who posted about this after my last blog)
Remember autumn? The pavements littered with fallen leaves? Consider yourself in the shoes of Spanish artist Lorenzo Duran Silva, in his eyes these fallen autumn leaves are thousands of potential canvases.
Inspired by once watching a caterpillar eating a leaf, Silva takes fallen leaves, washes, dries and presses them before etching intricate pieces of art onto them, creating some outstanding images.
The process can take anything from a week to two months to complete, and this artist has spent 4 years making these creations, boy has he mastered his craft! Be sure to check out this site and see some truly compelling works of art.
It goes without saying that film fans everywhere are looking forward to the release of a vast number of motion pictures in the upcoming year. Over the course of 2012, how many times have we heard the line “I can’t wait for this film to hit cinemas next year!”?
Having started a VFX course here at Escape Studios, I’m keeping a diary to share with you how the course is going so far. And here's an update on week nine
Many 3D fans will be aware of the power of Maya, and the influence it has on the world of VFX, from blockbuster films to major games series, Maya is one of the most incredible creative tools on the planet. But like a pack of Arctic Huskies, it demands time and attention if you wish it to take you voyaging across the vast plains of 3D.
This was the 9th iteration of the CVMP conference, and it certainly lived up to its billing. The conference struck just the right balance between academic research and commercial production, providing a hugely rich and diverse array of ideas, challenges, successes and future endeavours.
Fancy taking a peak behind the VFX scenes at Framestore's cinema? Framestore are one of the biggest post houses operating on Soho (London's VFX Hub...) today. They've worked on everything from The Golden Compass to Avatar to the Skyfall titles). We're conducting our last Open Day of the year there next Wednesday and we're rather excited about it!
We spoke to our friends over at Prime Focus World last month, in conjunction with their completed work on the stereo conversion of Tim Burton’s stop motion comedy horror - Frankenweenie. PFW worked closely and moreover, exclusively, with Disney and Burton on the picture, and the opportunity to chat about the project was just too good to miss!
F1 fans out there may have found themselves watching a new animated series over the last few months, following the fictional antics of McLaren drivers, Lewis Hamilton and Jenson Button.
While everyone is busy hating on Disney for adopting and extending the Star Wars saga, let’s take a moment to remember that Disney do indeed make some seriously visually impressive motion pictures. Their latest endeavour ‘Wreck it Ralph’, is no exception. CTO Andy Hendrickson spoke to Animation World Network about the film…
We hit a Social Media milestone last week, obtaining our 10,000th follower on Twitter...10,000! So to celebrate this, we thought it only right to catch up with the man who took us to the 10,000 mark.
With the help of some top class industry speakers, cinemas in a handful of the world’s most prolific post houses, a dedicated team of Escape staff and some fantastically helpful VFX Marshalls, it is no surprise the UK’s first ever VFX Festival, was a storming success.
Want to be a part of a European forum to discuss the latest research, advances and state-of-the-art industry practises?