With just one more week to go we thought we'd give you another reminder about the webinar taking place next week with our wise Head of 3D, Mark Spevick.
Don’t you all just love it when our resident VFX tutor Mark Spevick shares his knowledge with us? And don’t you just love watching, with bated breath, Indiana Jones conquering new feats as he crosses a rope bridge that appears to be on it’s last tethers above a dangerous gorge? And of course we know you'll just love to know that we've put the two together.
OK, you all know by now how much we like talking about certain CG heavy / animation films, and it might be quite obvious why this is. Yes, generally it's because the film features one of our favourite directors, or we love a certain genre, action hero or story line, but another reason for us to get so excited about a new release is for the array of behind the scenes footage for the making of, on how certain sequences were achieved!
We're always hot on the trail of the world leaders when it comes to visual effects. However, as much as we can rant and rave about present and future releases, it’s often worthwhile to be reminded of memories from the past, to gain some perspective, and appreciate exactly how far we’ve come…
Some of you may, or may not, know that V-ray is currently celebrating it’s 10 year anniversary. So, to mark the occasion, what could they be doing? Are they throwing a week long wild party? A massive shopping spree for all employees? Or maybe a month's extra holiday time to all...
Working in the CG industry, I have always been fascinated with stop motion animation. Growing up watching films like Tim Burton's 'Nightmare Before Christmas', I have always wondered what goes on behind the scenes and how it all works. And, funnily enough, a couple of months ago, the flat where I live actually turned into an animation studio overnight.
The suspense and build up to The Dark Knight Rises is literally killing us at Escape, we are so excited for the release date it's almost agony how slow time seems to be going. It also doesn’t make it any easier that new footage, trailers and behind the scene sneak peeks keep being released!
Yes, I really went there. A new trailer has been released for the updated version of Total Recall, and gone are the days of Arnie showing his rippling torso and basking in the limelight. This adaptation follows Doug Quaid (Colin Farrell) on his quest to find something better than his current life. After discovering ‘Rekall’, and being warned against it, he decides to rebel (against the norm, funnily enough) and visit the place regardless. This results in Doug Quaid having to question everything to try discover what is, and isn’t, real. The film boasts robots, a futuristic (yet dark) London and a whole lot of CG from MPC, Double Negative and Prime Focus. So from an industry point of view, it's definitely going to be worth a watch.
We’ve just had some exciting news from the lovely people at Creative Skillset. The creative industries’ sector skills council are currently running a pilot scheme for short courses that provide training in areas such as TV, film, radio, interactive media, animation, computer graphics, facilities, photo imaging, publishing, advertising and fashion & textiles. By making training in these areas more readily available, they hope to open up these industries and create a more diverse pool of talent right here in the UK. And we’re delighted to play a part in that ambition.
Last Monday night saw the premiere of the The Amazing Spiderman in Leicester square. Whilst the premieres are continuing elsewhere around the globe I thought I’d bring you a bit of information as to why we at Escape are excited for the latest installment from the Spiderman franchise.
The Halla Stulecia in Wrocław, Poland is an almost 100 year old dome designed by legendary architect Max Berg and was built to commemorate the 1813 war of liberation against Napoleon. Almost a century on, members of the visual arts label AntiVJ have transformed the 65 foot concrete dome into what they call O (Omicron). O is a cinematic installation that paints the hall's intricate contours with the stark, pulsing lights of a futuristic starship.