Matt Clinch is an Associate Partner at world renowned architectural visualisation practise Hayes Davidson; we asked Matt to give us some feedback on one of our recent online courses, V-Ray for Max, and here is what he had to say.
We are delighted to announce that Pixar and Escape Studios in association with the VES will be hosting the London RenderMan User Group meeting on Thursday, July 21st at 6:30 pm. In a break with the usual tradition, the first of this year's RenderMan User Groups is actually taking place in London, ahead of the Siggraph RenderMan UGM.
Just by being on Linux, MARI has rocked the post industry. All those guys tired of dual-booting, of trying to get Photoshop to work in Wine or some other “in-elegant Linux solution”. Or for those trying to use a laptop hooked up to the network or two machines with a KVM switcher (you know who you are) MARI is like a breath of fresh air! No nasty print type things getting in the way of painting at high bit depths and HDR floating points. Everything works. No nasty greying out of pull downs as it only works in 8 bit situations; geometry size is not an issue either, texture size is 32k square. It’s eats massive data sets elegantly. It’s a Godsend.
For those of you who want to learn V-Ray for Max, you’re in for a real treat this month. We’ve released a tutorial from our new V-Ray course which will be launched over the coming weeks. The tutorial has been taken directly from one of the major case studies within the course and this video is designed to demonstrates the power of V-Ray.
V-Ray 2.0 for Maya is now shipping. And, just so you know, it now comes with interactive rendering on GPU and CPU.
Shhhh, don't tell anyone but the images in this blog have been 'lifted' from our brand spanking new self directed course: VRay 2 for 3DS Max... We are very happy with it... But keep it quiet as it may help improve your skills ;-)
Calling all escapee's and graduates... An opportunity to be part of this amazing apprentice program in California!
Chaos have been super busy working on their new V-Ray 2.0 for Maya, so when the opportunity came up to chat to Chaos’ top man, CTO Vlado Koylazov, we didn't hesitate to get the inside scoop. So, for the lowdown on where the new ideas come from, what's in store for future releases, and his favourite CG project, read on.
Did any of you see the review of the 3DBOXX 8550 Xtreme in the latest issue of 3D Artist magazine? I can't say that I was surprised when I read that it had taken the title of the fastest rendering machine ever seen. We have been running test on this machine in our labs ourselves and have seen it deliver some pretty outstanding results.
The latest version of Maxwell Render has been released this week, with a neat new technology called Maxwell Fire. This is a new interactive rendering tool which gives users instant results when setting up a scene, so you can preview scene lighting and materials within seconds. This is pretty neat and should make a difference to your workflows.
There has been a lot of talk about the BOXX 8550 XTREME lately, and why it’s the fastest workstation in the world. Many of us are naturally suspicious of all the marketing hype, but on proper investigation, these claims are actually based in pretty solid facts... Here’s the low down.
Yesterday, Pixar announced an unprecedented price drop in their flagship product RenderMan® Pro Server. The 40% reduction will allow studios and freelancers that were previously unable to buy into the technology, to get a slice of the Film / VFX industry standard renderer. With the global CG expansion, Pixar appreciate that the growth of renderfarms is real and happening now, this move allows existing customers to ramp up their rendering capabilities in a more cost effective manner whilst allowing smaller shops and freelancers access to the toolset.