Our friends over at NVIDIA brought to our attention this “Making Of…” video including NVIDIA technology and Adobe CS6 Production Premium software. The video was created for Heavy Hand, a band formed of some NVIDIA employees.
The Mill recently completed a commercial for US client Norfolk Southern, showcasing the transformative power of freight shipping. Being a rather stunning piece of work, you may be interested to know that this project was rendered primarily using Mental Ray, taking advantage of the newish unified sampling feature.
Here at Escape Studios, we know how you all enjoy getting to the heart of what makes up a stunning VFX shot. So imagine our delight when hearing that Prime Focus World have just released the first of a new behind-the-scenes web series, ‘Close Up’. And let me tell you, these nuggets of geekiness will not disappoint.
Want to get up close and personal with PFDepth? You are in luck!
We are pleased to announce that The Pixel Farm team, the creators of industry favourites PFMatchit and PFTrack, will be over in the UK for an exclusive evening with Escape Studios Technology at The Sun & 13 Cantons in Soho on the 21st of November 2012.
We are pleased to announce that The Pixel Farm has been awarded a TVB “Best Of IBC” for their detailed depth map creation and stereoscopic conversion software product, PFDepth.
PFDepth has been recognised for the opportunities it presents to the industry and praised for its ability to greatly increase productivity.
PFDepth retails for £2000 and integrates seamlessly with the other PF family products especially PFTrack.
As you probably know Escape Studios organised and hosted the UK’s first VFX Festival last week with events, seminars and master classes taking place across London. The VFX Festival went down an absolute storm and was a fantastic platform to demonstrate the success of the UK’s ever-expanding visual effects industry.
Last week saw the UK’s very first VFX Festival, hosted by Escape Studios—a four-day spectacular exploring the breath-taking world of visual effects. Our industry pals and we celebrated the last decade of VFX with a jam-packed schedule of exclusive events, and it was our tutor-led workshops at Escape HQ that seemed to particularly whet the appetites of all those budding VFX artists out there.
Want to be a part of a European forum to discuss the latest research, advances and state-of-the-art industry practises?
Riding on the excitement of the new Bond film, Skyfall, Heineken has a James Bond themed ad, featuring Daniel Craig. The VFX for the ad were done by none other than our good friends at The Mill, and the global TV and digital campaign will be activated across 32 markets and involves the participation of the film's stars, Daniel Craig and the latest Bond girl, Bérénice Marlohe.
London 2012: a year of sporting valour and competiton to divide nations; of edge-of-our-seats spectacle and awe. I am speaking, of course, about Electric Theatre Collective's Biscuit World Cup (BWC)— and the suspense is such that we at Escape Studios could all do with a sit down, a nice cuppa cha and, well, a barrel of our dunkable little friends.
With all of the buzz surrounding Escape Studio's launch of the UK's first VFX Festival, it's an opportune moment to reflect on the evolvement of the VFX industry over the past decade.
Anyone who knows Escape Studios will know how valued our Studio Assistants are. Representing the heart of Escape, they keep this VFX academy a well-oiled machine. From supporting current students with their projects, making sure deliveries go out on time, to editing showreel videos, no job is too big or too small. And in return they are in the best place to ready their showreels for that next step in to the CG industry.
For the first time ever the whole team from RealFlow are coming to London for an exclusive RealFlow 2013 Preview. This event will be the first time that the RealFlow team has previewed the advanced alpha version of this software in public and will be a unique opportunity for you to see first-hand what to expect from RealFlow 2013.