Another month and a half has flown by, and this afternoon we hosted the end-of-course presentation for our latest round of escapees. Gathered in our breakout space, the afternoon has been filled with laughter and applause. The quality of work on show has been, as ever, astonishing—it never ceases to amaze just how far our students progress in such a short period of time; and we feel confident these bright young things now stand in good stead to polish up those all-important industry-cracking showreels.
Thinkbox, the makers of Deadline & Krakatoa, have developed a large number of application and plugins designed to extend existing pipelines and operate seamless with each other to create new workflows. Many of the software platforms that Thinkbox have created started in-house to refine dozens of VFX feature films over 15 years of production.
Konnichiwa manga fans!
Capitalising on our ever-growing fascintation in J-Culture, Wacom have unweiled their latest Manga edition of its Pen & Touch tablet, designed for illustrators to easily create Japanese-style comics. The tablet comes teamed with Smith Micro's acclaimed Manga Studio Debut 4 and Anime Studio Debut 8.
Konnichiwa manga fans!
Capitalising on our ever-growing fascintation in J-Culture, Wacom have unveiled a special Manga edition of its Pen & Touch tablet, designed for illustrators to whip up Japanese comicbook-style characters and scenes with ease. The tablet comes teamed with Smith Micro's acclaimed Manga Studio Debut 4 and Anime Studio Debut 8—you can import existing drawings and pictures to Anime Studio, automatically converting them into vector graphics, which you can then animate...Genius!
Last week saw the UK’s very first VFX Festival, hosted by Escape Studios—a four-day spectacular exploring the breath-taking world of visual effects. Our industry pals and we celebrated the last decade of VFX with a jam-packed schedule of exclusive events, and it was our tutor-led workshops at Escape HQ that seemed to particularly whet the appetites of all those budding VFX artists out there.
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Riding on the excitement of the new Bond film, Skyfall, Heineken has a James Bond themed ad, featuring Daniel Craig. The VFX for the ad were done by none other than our good friends at The Mill, and the global TV and digital campaign will be activated across 32 markets and involves the participation of the film's stars, Daniel Craig and the latest Bond girl, Bérénice Marlohe.
For the first time ever the whole team from RealFlow are coming to London for an exclusive RealFlow 2013 Preview. This event will be the first time that the RealFlow team has previewed the advanced alpha version of this software in public and will be a unique opportunity for you to see first-hand what to expect from RealFlow 2013.
Continuing on from Part I of this blog... then, at the start of season 8, and totally out of the blue, RvB started using action sequences, made with fully scripted fight scenes that involve stunts not possible with the previous game engine. CG had crept its way into the show, and in a big way; multiple people beating the incredible hell out of each other, huge explosions, space fights, giant weapons, and jaw dropping set pieces littered season 8, including a hilarious 8-minute sequence of Tex destroying the Reds and Blues, and flashbacks to Project Freelancer.
And here we arrive at the end of our spotlight on webseries blogs that have cool visual effects. And fittingly, we will wrap up with one of my absolute favourite shows.