When Victor Perez finished our 12-week Compositing for Production course last year, we knew that he was destined for great things. Since completing the course he has worked for an impressive range of companies - most of the post houses in Soho in fact - and is absolutely loving it. Victor was born to be a compositor -it's just in his blood. He's been hooked since his early days watching Star Wars. For Victor being able to use his artistic and technical skills to tell a story is one of the most important aspect of what he does -he's definitely in the right job then!
Currently wowing audiences everywhere, and hot off the back of its Oscar nominations, Danny Boyle’s latest film 127 Hours is something we’ve been keeping a particular close eye on. Obviously we’re fans of Mr Boyle’s work (personally, I can’t wait to see the Olympic opening ceremony), but in this case we’re more interested in a small team of people working behind the scenes.
Escape Studios is hitting the road this year undertaking a program of talks, presentations and master classes throughout the UK universities and colleges.
At last, we have good news for graduates in the UK. The Association of Graduate Recruiters (AGR) have just released figures indicating that the number of graduate vacancies is actually on the increase for the first time since the recession started.
We're never prouder than when our escapees get the recognition they deserve. This usually comes in the form of a first job with a top post house or commendation from the professional community for a perfectly executed shot, so when we found out that some of our escapees made it to the Autodesk 2010 Education showreel, we were beaming.
Few of you will have missed this morning’s headlines about yesterday’s violent student protests in London. Taking to the streets is not something that comes naturally to British people – unlike the French, who view student protests almost as a right of passage. So, having 50,000 of them marching in London shows the level of discontent over the government’s recent decision to increase tuition fees.
VFX escapee, Jacob Flint has just bagged a job at The Mill which as you can imagine he's pretty pleased about. The truth is, we are too. Having studied with us for 12 weeks on our VFX Production course, Jacob learned all of the vital skills that he needed to get started in the industry right away. He was pretty nervous during his interview but ultimately his skills shone through.
The coalition government released last week a whole host of new measures aimed at universities in a bid to make these institutions more transparent. You can read the full story published in the Telegraph here. I for one fully applaud the sentiment behind these measures, but if you'll allow me a cliché, "the devil is in the detail".
Calling all aspiring artists and CG wannabes! Here’s your opportunity to build your dream career. Today we launched CG Whiz 2010 our annual search for the hottest amateur computer graphics talent. We’re offering over £15,000 or $24,000 worth of prizes for the winners, thanks to our co-sponsors, The Mill, CG Society and 3D Artist.
When Nik Illingworth came to an Open Day last year, he was brimming with CG enthusiasm. He knew that he wanted a career in VFX but didn't really know how he was going to make it happen. After studying for 12 weeks with us, Nik was up and running. He finished his course, was offered his first job at Frametore and accepted it, then a short while later he decided to come back to us for 6 weeks of final professional training. He's now Effects Technical Director at MPC and still has the same love for the industry that he started off with. Nik's is one of many stories of CG enthusiasts who come to study with us and that's why we wanted to share his case study with you - getting a career in VFX off the ground really is easier than you think.
Here's my final post showing some work from the courses which have just finished. These clips are from escapees who were on the Visual Effects Production course taught by Dan Shutt. Again these are 'work in progress' and need a little more polishing but you can see they are both great ideas that have been really well executed.
We've just had another round of courses finish and again we've seen some really great work!
Last week, I had the pleasure of judging the short films produced by the graduating class of 2010, BA in Animation at the University of West England. The top prize up for grabs was our new Self-Directed ZBrush Course, and the top five contenders for the winning spot were (in no particular order):
We recently had a chance to catch up with Ognyan Zahariev an aspiring games artist and Escape Studios graduate. Ognyan is heading to Codemasters to start his career next month and has taken some time to share his thoughts on life after Escape Studios and joining the workforce in the games industry.
It’s always great to find out how escapees get on after their training and enter the world of work. Last week, we met up with ex-student Robert Holmes out at SIGGRAPH. Since his time at Escape, Rob’s gone on to work on some amazing projects at The Mill. He took time to tell us how he got his break and what’s needed to be successful in this industry.
Firstly, a big thanks to everyone who has entered our CG Graduate Design Competition Award so far. Entries have been coming thick and fast and as always the standard has been exceptional.
Thanks also for keeping in touch via all our social networks - it really is great to hear from you all and it just reaffirms our belief that the UK and the US have a wealth of talent and will undoubtedly produce many future stars in the CG world.
It’s been pretty busy for Nik since completing his VFX course a few weeks back. After a stint at Atticus Finch and then Framestore he’s now working at legendary post house MPC. We caught up with Nik, sat him down, and asked him what it’s like being the new FX TD on the block.
Today we’ve launched a brand new set of online mentored learning courses to offer a helping hand to international grads and drive the next wave of computer graphics talent. The twelve-month course offers the same high quality, interactive training experience as our flagship Visual Effects classroom course.