We all know that finding your first job in the CG industry can be tough, but we have good reasons to feel pretty confident about future job prospects. That's because the industry has seen growth for the ninth year in a row. There are jobs out there and I am particularly well placed to comment as I sit opposite our Recruitment Team and so I get to hear everything about the jobs they have available. Over the last few months, they have all been incredibly busy, and that's good news for all aspiring artists.
Now almost as hyped an event as the World Cup itself, the Nike ad this year starred a host of big names, from our own Wayne Rooney through to Franck Ribiery of France, Italy’s Fabio Cannavaro and even shiny Cristiano Ronaldo of Portugal. Most people will have seen at least one of the shorter clips, if not the full thing, and the eagle eyed among you will know that the guys at the Mill were on hand to provide the VFX wizardry.
It’s been pretty busy for Nik since completing his VFX course a few weeks back. After a stint at Atticus Finch and then Framestore he’s now working at legendary post house MPC. We caught up with Nik, sat him down, and asked him what it’s like being the new FX TD on the block.
Everyone knows the importance of a well put together show reel, but it's surprising how many there are out there that fail to tick all of the right boxes. Very often a show reel will fail to showcase the breadth of skill of the candidate, or will let itself down with a few issues that are fairly simple to fix. Therefore, we've put together a list of points to help you perfect your show reel and to maximise the impact it has on prospective employers. After much discussion at Escape Studios, plus a fair bit of back and forth on Twitter, we have whittled down the list to these 8 tips:
Last month, we showcased some fantastic work which came off the back of our Visual Effects Course. Seems that everyone really enjoyed it so we thought we'd treat you to another. The quality of work from these guys, especially as it's after just 12 weeks of training, is pretty amazing. Hat's off to them!
We are launching our new online competition to uncover the crème of the CG class of 2010 on both sides of the Atlantic. The CG Graduate Design Awards is the first international competition of its kind, where we’ll be giving the most talented graduates out there a helping hand into the competitive computer graphics world.
Lots of people can't make it to our day time courses or open days, so, we've decided to run an Open Evening for those people interested in attending our VFX, Maya and Compositing Evening Courses. The courses are perfect for those with busy working lives because they don't interfere with day to day work and you can also pay for them a module at a time, which makes finding the funds a lot easier.
Check out some of the latest work from the VFX Course that's just finished. The work is really imaginative and demonstrates real technical ability - all pretty cool considereing they were here for just 12 weeks. If you're interested in VFX now is the time to get in touch so you can take advantage of our early bird discount.
This month's free tutorial is part of a series that discusses alternative methods of recreating naturalistic lighting in an exterior environment. Taken from our Advanced Lighting with Maya and Mental Ray course, this tutorial concentrates on optimising raytrace shadows within a manually lit scene, and will teach you how to add ambient shadows via a custom occlusion shader. This tutorial will give you the production level skills expected of a junior lighting artist.
If you haven’t seen this already from our tweet a while back, you must check out this awesome piece of work from Patrick Jean.
We're delighted to announce that Alida Serrano has won our competition for three months' free access to one of our online courses. Alida, from New Jersey, US, was one of our fans on Facebook, and was selected at random from our followers on Thursday 1st April.
Make sure you don't miss out on this month's free tutorial - Reflections, Raytracing and Render Settings. This month we've focused on the skills that graduates need when looking for work. This free professional-level tutorial concentrates on developing those key skills as well as understanding reflectivity, material attributes & render settings. Here's a quick breakdown of what's included:
It's proving to be a very busy month for the recruitment team at Escape Studios. Lots of our students are going straight from our classroom courses into paid work, proving it's an ideal time for Junior Artists to make that break into the post production industry.
We're pleased to announce that we’re running a ‘3D for Visual Effects’ classroom course, which runs for 12 weeks and includes hands-on practical training using the latest industry standard software and techniques.
Escape this Spring!
Are you a woman trying to break into the film industry? If so, this training course could be just what you’re looking for.