"Filmed on location within Tavares Bastos favela, Santa Teresa and The Maracanã in Rio de Janeiro, Brazil. The BBC World Cup 2014 titles visual effects were created by GeeFX Studios. The entire piece was done at 6k resolution, filmed with a Red Epic Dragon. Although only broadcast by the BBC in HD, you can view a 4K version on the RED youtube channel above. In conjunction with The Sex Pixels, Unlimited VFX Limited brought to life the statue of Brazil’s 1958 world cup winning captain, Hilderaldo Luiz Bellini, The Macarana stadium entrance and Brazillian sky were also augmented for dramatic effect.
During my five days at SIGGRAPH, one of the escapees i happened to bump into was Iveth Bueno, from my Compositing for Visual Effects class in 2013, she kindly wrote a blog for us about her experience as a SIGGRAPH 2014 volunteer!
The day started with a fab lesson from the guys that make Fabric Engine, a new procedural software for making tools for any 3D or 2D app, all accelerated on the GPU, very cool and exciting stuff; apparently it is the ice development team from the now defunct softimage. Lots of the big post houses have already adopted this software as an easier way of making tools and plugins.
Another great day at SIGGRAPH, we were up early for a meet and greet with educators in VFX, and discussions on how to teach VFX in the classroom and online. We then had a great panelled discussion on how to transition from a VFX Artist to a Teacher. The panel had some great Artists from ILM and top American Universities.
After 10hr flight and a spot of jet lag kicking in we registered at the one and only SIGGRAPH today in Vancouver (Sunday 10th August)
This time of year tends to be a busy time for VFX, particularly for Compositing departments, with film production schedules nearing the end of their pipeline, and VFX teams working towards looming delivery deadlines. During this busy time, it’s great to see our graduates benefitting from the industry’s demand for more experienced Compositors. This is certainly the case for Jacopo Landi who graduated from our Advanced Compositing for VFX course last March and is now working at Double Negative as a Digital Stereo Compositor.
You may have read that our main man Ash Miles was invited to the private cast and crew screening of Guardians of the Galaxy last weekend, and went along with a number of Escape graduates from MPC who worked on the project. His blog about it got us so excited that we had to get in touch with Adam Dewhirst, escapee and advisory board member who happened to be Framestore's Lead Modeller on the film, to ask a few questions, he was careful not to discuss any spoilers with us so read all about the project below in peace, and discover what it’s like to work on what is soon to be a truly iconic motion picture.
Seeing a film at the cinema is often a contained experience - you'll go with one or two other people, silently praying that no one else in the theatre makes a noise for the next three hours, arrive just in time then leave straight away afterwards, casually asking the opinion of your companions as you leave to see if the cramp in your butt was worth it.
Hello folks, it's been a while hasn't it? Seems like an age since I last clamoured around the blogosphere. Well, here I am, making a triumphant return for your pleasure and amusement to talk once again about the amazing online show - RWBY!
With ‘The Dawn of the Planet of the Apes’ having hit cinemas on the 17th of July we reckon a fair portion of you guys went to see it over the weekend, so we’re keeping an eye out for your informed opinions, especially as the murmurings in the online world are implying an Oscar victory for the movie at this year’s academy awards.
Last Thursday evening we hosted a recruitment event in honour of our Alumni from the last two years. The night was dedicated to celebrating their work in VFX so far, as well as a networking opportunity with recruiters from the leading VFX facilities in London. We were joined by Framestore, MPC, The Mill, Jellyfish Pictures, Milk VFX, Molinare, Rushes and ILM (Industrial Light and Magic).
We were left, well, marvelling at the recent sketch of the new Thor that was released online yesterday, as it was unveiled that our new hero will be of female persuasion!
Here at Escape Studios, we have subscriptions to the most cutting edge Industry publications delivered to our studios each month, and we fist punched the air recently when we saw both an Escape Tutor, AND one of our advisory board members featuring in 3D Artist Magazine and 3D World Magazine respectively.
Escape’s Head of 3D Mark Spevick harbours a special passion for all things Houdini, and last week his skills were called for on the continent, and he ventured to iMasterArt in Turin taly to host a master class with a handful of other pros with experience in all areas of VFX, here are his notes from the trip!
We are very pleased to announce that we have joined forces with HaZ Films as VFX Partner on his latest Sci-Fi Short film: SYNC. HaZ is a VFX Supervisor turned Filmmaker while also one of our tutors on the Producing for VFX course, (which is soon to start its third term)
If you’re after work in VFX, keep a keen eye out for the movements of MPC in the next few weeks!
Sci-Fi-London (The London International Festival of Science Fiction and Fantastic Film) kicks off today, boasting a fantastic line up of titles – some new and some offering more of a nostalgic trip down memory lane. We’re particularly excited about the short film programme, Shorts Programme 2, to be screened on the closing day, Sunday 4 May, at BFI Southbank.