Last Friday we took a train south to Bournemouth for the 2013 BFX awards ceremony, which was a truly wonderful event. Awarding and celebrating emerging talent from eleven UK universities, the teams who took part in this competition impressed us mightily.
Folks, it's Friday, so it's time for a bit of Friday Fun, and who better to deliver it than your good friend Ash? No one! That's who!
It was whispered around the film community that we Alfonso Cuarón got started on Gravity, it was going to be something truly epic. Well the first reviews came in today from the Venice film festival where it was premiered, and guess what, it sounds just that! Here are a few snippets from reviewers/tweeters that have been kindly collated by thefilmstage.com. (check the site out here for the full reviews)
Is anyone else reminded of school trips when the weather’s like this?
Another busy day on Front-of-House…
Lincoln is very much a hit with the award bodies this year. Having only just recently hit the cinemas, the film has already scooped up a Golden Globe and a BAFTA as well as being nominated for 12 Oscars. And although this is all very lovely, we’re more interested in the stunning results achieved by Framestore for this epic biopic. Providing the backdrop of 1865 America, a country ripped in two by civil war, Framestore worked alongside the filmmakers to make a historically accurate recreation that was both invisible and believable. And having already proved their expertise on Spielberg’s previous project War Horse, Framestore have obviously earned the trust and respect of Steven and his team.
For 50 years James Bond has been known for may things; martinis, dames, gadgets, cars, and fantastic action sequences. The James Bond franchise is also famously known for the stunning title sequences they've had throughout the years. Many studios have clamored to get the chance to work on these amazing intros, and for the 23rd James Bond movie Skyfall, the UK's own Framestore got their 5th go around on the James Bond title sequence which coincidentally also marked the 50th anniversary of the british spy saga.
How does someone go about getting a Junior Compositor role at an international VFX studio like The Mill? Well in this month’s tutorial Simon Richardson reveals how it all started for him. From experimenting with Adobe’s After Effects at University, Simon was introduced to basic keying techniques in a layer based system. And this was when the seed was planted that would flourish into him conquering NUKE, and working at one of the top VFX studios in the world.
F1 fans out there may have found themselves watching a new animated series over the last few months, following the fictional antics of McLaren drivers, Lewis Hamilton and Jenson Button.
With the help of some top class industry speakers, cinemas in a handful of the world’s most prolific post houses, a dedicated team of Escape staff and some fantastically helpful VFX Marshalls, it is no surprise the UK’s first ever VFX Festival, was a storming success.
As you probably know Escape Studios organised and hosted the UK’s first VFX Festival last week with events, seminars and master classes taking place across London. The VFX Festival went down an absolute storm and was a fantastic platform to demonstrate the success of the UK’s ever-expanding visual effects industry.
Last week saw the UK’s very first VFX Festival, hosted by Escape Studios—a four-day spectacular exploring the breath-taking world of visual effects. Our industry pals and we celebrated the last decade of VFX with a jam-packed schedule of exclusive events, and it was our tutor-led workshops at Escape HQ that seemed to particularly whet the appetites of all those budding VFX artists out there.