It’s always good when people respond to the blogs we write. The one I wrote last week about the MTV advert animation got a great response when we tweeted the link, with @anthonygelatka pointing me in the direction of another great piece of animation.
No doubt you’ve heard about Rockstar’s latest release LA Noire - apparently a completely new type of video game. Up until recently, most games have been all about hand eye co-ordination but in LA Noire, which is set in the late 40s, the main skill is about being able to judge body language and characters’ faces to figure out if they’re lying or not - or ‘emotional perception’ as some are calling it.
The chances are, if you’re reading this blog, you’ve got more than a passing interest in the film industry. Alright, specifically the VFX part, but still, you’re keen to know as much as you can about the industry, and possibly how you can break into it (hopefully with our help…).
I don’t think anyone was too surprised by last night’s BAFTAs. Personally, I was really pleased to see Inception win the Special Visual Effects award. With the hardware becoming more powerful, the software more sophisticated and the work ever more creative, as an industry the bar is set incredibly high, and it’s always great to see how people are constantly pushing the boundaries of what’s possible. It’s even more impressive when you consider who else was nominated.
Currently wowing audiences everywhere, and hot off the back of its Oscar nominations, Danny Boyle’s latest film 127 Hours is something we’ve been keeping a particular close eye on. Obviously we’re fans of Mr Boyle’s work (personally, I can’t wait to see the Olympic opening ceremony), but in this case we’re more interested in a small team of people working behind the scenes.
I read something last week which made me angry, sad and yet hopeful at the same time… This one is a bit of a long story, and I hope it won’t sound too much like a rant, but I feel I owe it to all the people who, like me, felt rather disappointed when they watched “Wallace And Gromit: The Curse Of The Were-Rabbit”.
We’ve heard of a great opportunity for any of you looking to showcase a short film you’ve been working on.
Check out this interview with Marc Weigert, the 2012 Co-producer and VFX Supervisor behind the blockbuster 2012. His team of over a 100 artists worked on this feature and formed the central VFX hub for the movie. To their credit they completed an astonishing number of shots within a very short timeframe using a traditional pipeline, including eyeon's Fusion and Generation. Here he chats to eyeon's CEO Steve Roberts about the Visual Effects in the film.