I’m showing my age here, but one of my favourite flashbacks to my childhood is of being sat on the sofa with my younger brother staring wide-eyed at the TV screen while bumbling scientists Bill Murray, Dan Ackroyd and Harold Ramis got slimed over and over in the supernatural comedy classic, Ghostbusters. Released in June 1984, I was too young to go and see it at the cinema but I never failed to catch the re-runs when it appeared in our homes during the years that followed, usually around Christmas time if my memory serves me correctly.
Front of house was entertained today, as a group of Visual Effects TD students transformed the break out space into a film location for the afternoon. The ‘TD’ stands for Technical Direction and these guys are currently working on a scene which they have created using our state of the art 3D design technology. They are learning about camera tracking and match moving, (among other things) and today they were filming footage which they will have to place into the scene they have already designed.
Harry Potter fans (there are a few of them out there) will have to readjust their vision come 2014/15, as it has been announced that Daniel Radcliffe is in final negotiations with 20th Century Fox over playing the lead role of Igor, in an adaptation of Mary Shelley’s Frankenstein. It is said that production will begin later this year.
Check out these never before seen sketches from the hand of Walt Disney himself. Classic Mickey Mouse animation is simply one of my favourite things to watch, conveying a story, emotion or an idea in such simple drawings, for me really highlights to skill of this art, and art I have the utmost respect for.
As readers of our blog will know, we grab any Star Wars news by the horns, grind it into a couple hundred words, and blog the Sith out of it.
This occasion is no different, and while just last month, Star Wars fans everywhere were petitioning to get a death star built and launched into space, Industrial Light and Magic (VFX Brainchild of Star Wars creator George Lucas) were busy putting together a timeline of their journey, creating the Death Star for it’s first appearance in ‘Star Wars Episode IV: A New Hope’.
It shows the milestones of an iconic studio as well as the creation of one of the most iconic images in cinematic history.
Lincoln is very much a hit with the award bodies this year. Having only just recently hit the cinemas, the film has already scooped up a Golden Globe and a BAFTA as well as being nominated for 12 Oscars. And although this is all very lovely, we’re more interested in the stunning results achieved by Framestore for this epic biopic. Providing the backdrop of 1865 America, a country ripped in two by civil war, Framestore worked alongside the filmmakers to make a historically accurate recreation that was both invisible and believable. And having already proved their expertise on Spielberg’s previous project War Horse, Framestore have obviously earned the trust and respect of Steven and his team.
If you're a regular through our doors then you might have noticed a few changes. Here at Escape HQ we've been busy building, painting, schlepping, and revamping our office area, studios and break out space for a new and rather fresh look. There's still quite a few bits and bobs to do but here's a look at what we were then and what we are now...
The role of Visual Effects Supervisor is hugely important on set as well as during the whole post production process. This person works with both the Director and Clients to convert artistic concepts to stunning visual imagery.
Our friends over at View Conference Italy, last week unveiled that they will be providing cash prizes for winners of their different awards. The prizes vary from top of the range tablets to a lump sum of 2000 Euros. The categories for application are as follows (complete with direct links)