Ok, so there I was, happy in my comfort zone, knowing that the Green Lantern could never be a great movie and that nothing could ever live up to the comic book.
This week Escape is very pleased to welcome Mark Pascoe from Rushes to speak to our current classroom students. Mark joined Rushes 5 years ago off the back of the Visual Effects Production Grade course at Escape, doing the Maya comprehensive course before that. He is currently in the Film and TV department at Rushes, taking up a technical role on projects. He has also been nominated for an Emmy for Outstanding Visual Effects in a Series.
The chances are, if you’re reading this blog, you’ve got more than a passing interest in the film industry. Alright, specifically the VFX part, but still, you’re keen to know as much as you can about the industry, and possibly how you can break into it (hopefully with our help…).
I came across an interesting little article yesterday on PodcastFilmReview.com about the top ten uses of special effects for story telling. It was refreshing to see someone looking at this from the angle of the story telling rather than just for the special effects themselves.
We were all delighted for our friends at Double Negative on Sunday, as they scooped an Oscar for their VFX work on Inception, and the whole country was feeling a touch of national pride as Brits dominated the ‘big’ awards. No matter what your thoughts on the future of British film, it was certainly a good day to be a part of the UK film industry.
WETA are doing what they can for the victims of the Christchurch earthquake by hosting an auction on ebay of some famous collectibles. So, if you fancy getting your hands on some pretty cool and rare film memorabilia while doing your bit for charity, now is your chance. Check it out here.
I don’t think anyone was too surprised by last night’s BAFTAs. Personally, I was really pleased to see Inception win the Special Visual Effects award. With the hardware becoming more powerful, the software more sophisticated and the work ever more creative, as an industry the bar is set incredibly high, and it’s always great to see how people are constantly pushing the boundaries of what’s possible. It’s even more impressive when you consider who else was nominated.
Currently wowing audiences everywhere, and hot off the back of its Oscar nominations, Danny Boyle’s latest film 127 Hours is something we’ve been keeping a particular close eye on. Obviously we’re fans of Mr Boyle’s work (personally, I can’t wait to see the Olympic opening ceremony), but in this case we’re more interested in a small team of people working behind the scenes.
Here's a link to a fantastic reel from our friends at Displace Studios, they worked with us earlier this year to create some eye popping 3D brand furniture for our new website and other collateral. They did an amazing job for us and I wish them every luck with this new venture.
Irvin Kershner, director of 'The Empire Strikes Back' died on Saturday in Los Angeles, aged 87. 'Kersh'', as he was affectionately known on the set of the 1980 sequel, deserves credit for directing easily the finest of all the Star Wars films, and for a diverse and varied career in which the inter-galactic blockbuster was something of an anomaly.
I came across a tidbit of trivia the other day about Salvador Dali that set me on a little 'surf fest' on this incredible artist.
I read something last week which made me angry, sad and yet hopeful at the same time… This one is a bit of a long story, and I hope it won’t sound too much like a rant, but I feel I owe it to all the people who, like me, felt rather disappointed when they watched “Wallace And Gromit: The Curse Of The Were-Rabbit”.
Our CG Whiz competition got us thinking about what our favourite CG films and scenes of all time are. One thing led to another, much "debating" took place around the office and then we thought it would be best to let our Twitter followers have the last say. After being inundated with many great suggestions from them, here are the top five.
According to Variety we have been saved from yet more badly converted stereo films - check out the story here. Warner Brothers have canned the release of Harry Potter Deathly Hallows part 1 in 3D. This is due to quality issues, that were mainly due to time constraints, and Warner have come to the conclusion that the converted film was not high enough quality. I can only applaud them for not releasing yet another stereo nasty.