The winners of the 2011 Oscars were finally revealed yesterday amidst the usual pomp and ceremony that we are accustomed to, and I have to say, it was a pretty good night for Britain.
I don’t think anyone was too surprised by last night’s BAFTAs. Personally, I was really pleased to see Inception win the Special Visual Effects award. With the hardware becoming more powerful, the software more sophisticated and the work ever more creative, as an industry the bar is set incredibly high, and it’s always great to see how people are constantly pushing the boundaries of what’s possible. It’s even more impressive when you consider who else was nominated.
Currently wowing audiences everywhere, and hot off the back of its Oscar nominations, Danny Boyle’s latest film 127 Hours is something we’ve been keeping a particular close eye on. Obviously we’re fans of Mr Boyle’s work (personally, I can’t wait to see the Olympic opening ceremony), but in this case we’re more interested in a small team of people working behind the scenes.
Here's a link to a fantastic reel from our friends at Displace Studios, they worked with us earlier this year to create some eye popping 3D brand furniture for our new website and other collateral. They did an amazing job for us and I wish them every luck with this new venture.
Irvin Kershner, director of 'The Empire Strikes Back' died on Saturday in Los Angeles, aged 87. 'Kersh'', as he was affectionately known on the set of the 1980 sequel, deserves credit for directing easily the finest of all the Star Wars films, and for a diverse and varied career in which the inter-galactic blockbuster was something of an anomaly.
I came across a tidbit of trivia the other day about Salvador Dali that set me on a little 'surf fest' on this incredible artist.
I read something last week which made me angry, sad and yet hopeful at the same time… This one is a bit of a long story, and I hope it won’t sound too much like a rant, but I feel I owe it to all the people who, like me, felt rather disappointed when they watched “Wallace And Gromit: The Curse Of The Were-Rabbit”.
Our CG Whiz competition got us thinking about what our favourite CG films and scenes of all time are. One thing led to another, much "debating" took place around the office and then we thought it would be best to let our Twitter followers have the last say. After being inundated with many great suggestions from them, here are the top five.
According to Variety we have been saved from yet more badly converted stereo films - check out the story here. Warner Brothers have canned the release of Harry Potter Deathly Hallows part 1 in 3D. This is due to quality issues, that were mainly due to time constraints, and Warner have come to the conclusion that the converted film was not high enough quality. I can only applaud them for not releasing yet another stereo nasty.
Skillset have recently announced a new funding scheme which will allow individuals working in the UK film industry to apply for a bursary towards various types of training. The scheme is aimed at increasing the high-end visual effects skills within the film industry so individuals who want to get additional training under this new funding can identify a course or a training provider that meets his or her needs and apply for bursary from Skillset.
I went to see Scott Pilgrim vs. the World at the weekend and I was taken with the visual style of the whole movie. Eccentric humour aside, the movie was pretty simplistic as far as plot is concerned, but the aesthetic complexity displayed was pretty amazing. The use of augmented reality styling with major references to to the likes of the Tekken franchise were really interesting to see.
For me the best movie so far this year has to be Christopher Nolan's Inception. it will be interesting come Oscar time to see if the Academy and the world at large agree. It is a fantastic combination of amazing direction and cinematography, a gripping script and amazing VFX. The best VFX are the ones you don't see and only afterwards do you think "How did they do that?".
For those that may not have heard, the UK Film council is under threat of closure after having its funding cut. The UK Film Council has done many great things for the industry since its inception in 2000. We now have the highest cinema attendance in 7 years, UK film exports are also the highest in 7 years, and inward investment in the industry has doubled from 2008 to now.
We’ve heard of a great opportunity for any of you looking to showcase a short film you’ve been working on.
So I've promised details previously, and details you shall have!