You’ve got to take your hat off to the people who do the part-time evening courses at Escape. This is the course that people choose when they need to schedule their learning around other life commitments… and those life commitments usually involve full-time work.
Another busy day on Front-of-House…
So, the time is nearly upon us to open our doors to all you budding VFX artist wannabes to show you what we’re made of!
While the days are cold, the nights are long, and we’ve seen the back of Christmas and New Year festivities, at one point or another, we all find ourselves daydreaming about the return of the summer sun. The smell of sun cream, the call of the beach, and the excuse to whack on a pair of shades, making ourselves look AT LEAST 20% cooler, is but a dream away at this, the tail end of January.
Many 3D fans will be aware of the power of Maya, and the influence it has on the world of VFX, from blockbuster films to major games series, Maya is one of the most incredible creative tools on the planet. But like a pack of Arctic Huskies, it demands time and attention if you wish it to take you voyaging across the vast plains of 3D.
The fifth week of the Maya Core evening course is equivalent to day five of the intensive day time class, so we have now covered one week of the comparable daytime course. The advantage of the evening course is you have more time to soak in the deluge of information showered onto you, but the daytime class are constantly thinking in Maya so perhaps absorb it more thoroughly.
After last week’s fruity frolics and forays into furniture, we began week four of our Maya Course finishing the seat cover of our poly modelled chair. The back row gang was complete again as our comrade James returned as he was unable to attend last week’s lessons. He was gutted to miss the chair making exercise, because he’s a budding furniture designer now hoping to get an internship at a London studio, and believes learning Maya will boost his creative potential.
I was sitting in the front row, next to Rodrigo from Brazil, on Monday night, as our class made an effort to complete the exercise of modelling fruit in NURBS, before we moved on to making a chair in Polygons. I felt a little more confident, after practicing my Primitive Man Online tutorial last weekend, and I looked forward to shading and texturing my wonky apple. But before I got to that moment there was a NURB banana skin, waiting for me to slip on.
Creative Futures is a study we recently commissioned to uncover what people in the creative industries really think about training. One of the key factors emerging from the report was that many professionals currently in full time employment, were actively seeking new skills to further their career. In these cases online or evening study are the only option.
As the end of 2010 approaches we're filling up fast for our next round of courses in January 2011. The last spot on our Compositing course has just gone, so the next seats available for that are now in April. We have also just filled our Character Animation course with Alex Williams so we now only have a few seats left on the two Visual Effects Production courses, taught by Mark Spevick and Dan Shutt.
Lots of people can't make it to our day time courses or open days, so, we've decided to run an Open Evening for those people interested in attending our VFX, Maya and Compositing Evening Courses. The courses are perfect for those with busy working lives because they don't interfere with day to day work and you can also pay for them a module at a time, which makes finding the funds a lot easier.
We’ve got a new set of evening classes at Escape Studios , starting at the end of September. The Compositing Evening Course will allow experienced freelancers and amateur beginners alike to learn all they need to know about compositing in Nuke in twice weekly sessions, helping develop the skills required to becoming a top notch VFX compositor.