Last week, nominees for the 17thArt Director’s Guild awards were unveiled.
Happy New Year folks, hope you all got the things you wanted for Christmas. I certainly did; that pony was a long time coming. Let's kick off the new year with another one of my trademark spotlight blogs, focusing on Battlestar Galactica; Blood and Chrome. (Shout out to user DHW who posted about this after my last blog)
It goes without saying that film fans everywhere are looking forward to the release of a vast number of motion pictures in the upcoming year. Over the course of 2012, how many times have we heard the line “I can’t wait for this film to hit cinemas next year!”?
We have welcomed a great many students to our studio over the years, and those students all share something in common. That is, a passion for creativity and to start a career in visual effects. Students come from far and wide to attend our training facility, and emerge with skills that are truly mind blowing for 12 weeks of training. Each and every student invests extraordinary dedication to their work, and through that we are treated to some fantastic results.
Having started a VFX course here at Escape Studios, I’m keeping a diary to share with you how the course is going so far. And here's an update on week nine
With the holidays so close by, it’s about time we continue our list of gift suggestions, and today’s slice of idea filled blog post, contains 2 fantastic lists that brim with quirky, unique and rather eccentric present ideas.
Many 3D fans will be aware of the power of Maya, and the influence it has on the world of VFX, from blockbuster films to major games series, Maya is one of the most incredible creative tools on the planet. But like a pack of Arctic Huskies, it demands time and attention if you wish it to take you voyaging across the vast plains of 3D.
Fancy taking a peak behind the VFX scenes at Framestore's cinema? Framestore are one of the biggest post houses operating on Soho (London's VFX Hub...) today. They've worked on everything from The Golden Compass to Avatar to the Skyfall titles). We're conducting our last Open Day of the year there next Wednesday and we're rather excited about it!
We had the pleasure of catching up with games aficionado and escapee Holly Pickering last week.
The VFX industry has emerged to become the most fervent, vibrant and limitless creative platforms of the 21st century, and has created a world where, equipped with the right skills and determination, the phrase ‘the sky is the limit’ is rarely an understatement.
How does someone go about getting a Junior Compositor role at an international VFX studio like The Mill? Well in this month’s tutorial Simon Richardson reveals how it all started for him. From experimenting with Adobe’s After Effects at University, Simon was introduced to basic keying techniques in a layer based system. And this was when the seed was planted that would flourish into him conquering NUKE, and working at one of the top VFX studios in the world.
Another month and a half has flown by, and this afternoon we hosted the end-of-course presentation for our latest round of escapees. Gathered in our breakout space, the afternoon has been filled with laughter and applause. The quality of work on show has been, as ever, astonishing—it never ceases to amaze just how far our students progress in such a short period of time; and we feel confident these bright young things now stand in good stead to polish up those all-important industry-cracking showreels.
We hit a Social Media milestone last week, obtaining our 10,000th follower on Twitter...10,000! So to celebrate this, we thought it only right to catch up with the man who took us to the 10,000 mark.