Attention all Adobe After Effects users, today may be your lucky day. The Foundry are running a massive discount on CAMERATRACKER, where you can save over 40% if you purchase a nodelocked version today. This offer is for a limited time, running over the course of January 24th only. The promotion will close at midnight tonight, where ever you are in the world.
As Escape’s Recruitment Manager, it’s my job to know exactly what employers are looking for when they’re hiring candidates. The thing to remember is that it’s different for every company – you have to tailor your showreel and CV to the position and company you’re applying for (Tips you can check out here). We place lots of escapees and freelancers at The Mill and last week, I caught up with Claire Anderson their Talent Manager, who explained exactly what it takes to cut it at their company. For those of you eager to secure a position, pay attention and check out the interview.
After the usual slow down over the festive & new year period, here at Escape Studios recruitment department we're now experiencing a big surge in demand for freelancers, right across the board.
This is possibly the moment many of you have been waiting for… HIERO, The Foundry's latest software project, has gone to beta. A closed beta ran over a short period of time for few individuals who got their name on a waiting list nice and early, and from what I’ve heard, they really enjoyed putting it to the test.
With all the excitement of new courses starting here at Escape in 2012, we’ve not yet had time to share the work that last year's students put together at the end of their courses.
A few weeks ago, we posted some details of changes and improvements we were making to our courses. We promised we would be giving details of these improvements soon, and today we are going to be talking to you about Houdini.
The Visual Effects Society (VES) are holding their 10th annual awards ceremony very soon, set to define the greatest VFX moments from 2011. Earlier in the week VES released their nominations for this year’s awards, a list that recognises the outstanding VFX achievements across film, animation, television, commercials and games. Regularly referred to as the “Oscars” for the visual effects world, this is a highly prestigious event for VFX professionals internationally. Receiving an award from any of the 23 categories is a great honour.
For all of you architects and designers out there, we’ve just launched a competition which could see you win the latest kit on the market! In association with HP and Chaos Group we have a much coveted prize up for grabs for one lucky winner who can answer three questions correctly. The successful winner will take home an HP EliteBook laptop with software V-Ray for 3ds Max – two essential tools to compete in a fast paced, competitive industry.
Digital artist Kelly Richardson recently completed an artist’s residency at the Pixel Palace, a new digital media arts programme of the Tyneside Cinema in Newcastle upon Tyne. During her time there, she began initial research and production into an ambitious new three projection video installation entitled ‘Mariner 9’. During her residency, the Pixel Palace commissioned a short film about the work being developed where she explains some of her processes and ideas behind the new installation.
As some of you may know, we recently launched a new course called "Visual Effects Animation Professional". Well, our first group of students from the courses have been handing their projects in and I wanted to take the opportunity to showcase a fantastic piece of work by Hyeon Joon Kang. His work clearly shows how the VFX pipeline works and if we retrace his steps, we can take a closer look at each part of the process. Joon's project is a great illustration of what we teach in this new course and what you can achieve in just 18 weeks with us.
After an incredibly busy couple of months dealing with students' end of courses projects, as well as completing the first shot for my own showreel, I've found the time to work on the next episode of iNuked: my personal project to explore the possibilities of using The Foundry's professional compositing software NUKE, on my MacBook Air.
We came across this video and just had to share it with you all. Check it out!
For anyone who hasn't seen it yet, here is a great video that shows life behind the scenes at Dneg. It is a really good way to get an idea of what it would be like to work for a world class Visual Effects house like Double Negative. They are one of the fastest growing Visual Effects houses in the UK and one of the top Visual Effects houses in the world.
Tweak are working hard to develop and expand their powerful playback software, RV-image and sequence viewer. Their latest development comes in the form of RV 3.12.13. With this new version you get all the usual benefits of real time reviewing software, but now with the additional support of Python to make this version the most powerful yet. This new addition to the product has been in beta for a while now, and has benefitted from extensive feedback from customers reporting rough edges and bugs. With this valuable knowledge behind them Tweak are happy to release RV with Python, confident that the results will impress all.
It's been a while since we featured any escapee work on our blog so I wanted to show you a recent reel which has really impressed us.
There were a whole raft of announcements and news stories about university applications last week - sadly they didn't get much air time as TV and radio stations remained firmly focused on the state of the Euro. Still, the BBC did publish a few stories which are worthy of further discussion.
We all know that the geeks will one day inherit the earth, but what do they want for Christmas?... The 'Season of Goodwill' is here, so I thought I would kick it off in style by sharing with you a bunch of sites where you might find the ideal gift for your favourite CG Geek.
Yesterday was the last day of Movember, and we took this opportunity to take one last set of photos of team 'There's Mo Escape'. I am sure you will agree with me that we look like mighty fine with our moustaches!