The art of filmmaking has come a long way over the last 100 years. The technology we use today to create breath-taking scenes continues to push the boundaries of high-definition and realism, but we should never forget the genius of film crews who didn’t have the opportunity to ‘fix it in post’ or rely on computer graphics to set the scene. As lots of you know, some of the best moments in film history were created by filmmakers having to think on their feet, making the best of an impossible situation. And of course there are certain skills that were essential to the filmmaking process back then that will start to be forgotten due to the rise in post-production capabilities and accessibility.
Or wanted to be able to say, ‘I did that’, when watching a film and seeing a huge, breath taking explosion? Then maybe you should start to think about pursuing a career in Visual Effects. At Escape Studios, we want to make those first steps into the industry as easy as possible whilst providing you with the tools to succeed. Our Visual Effects Production course will not only give you the skills to progress in the exciting world of Film Visual Effects, but will also show you how to make an impressive show reel (which results in many of our students securing jobs once they have finished.)
Ladies and Gentlemen, prepare yourselves and dust off your knives and forks as we are happy to announce round two of the Assimilate and Escape Studios Technology BBQ!
On Thursday the 23rd of August at the Shepherd’s Bar we are hosting a second BBQ with Assimilate and HP, but this time we have also partnered up with NVidia and Red Digital Cinema Professional to showcase a SCRATCH turnkey package exclusive to Escape Studios Technology.
Last Wednesday we sauntered down to our friends at Saddington Baynes, devoured some gourmet Pizza, washed it down with some ice cold beer and cleansed our pallets with some invigorating VFX related conversation, all in the name of our second graduate reunion…who says you can’t mix business with pleasure? And with a high calibre of industry employed attendees from the likes of Double Negative, Framestore, The Mill and MPC London, conversation was rife.
Last week I accompanied the current Compositing class on a trip to the MPC studio in London. It's all part of the industry mentoring scheme we're encouraging at Escape, as we work to prepare our students for the working world. With aspirations for one day working in the industry, we feel it's really important for all our students to get a taste for what is expected from them as early as possible in their training. Irene Bonilla was one student who joined us that day, and here's what she had to say about it...
It’s been a little quiet for a lot of Compositors this summer, but there seems to be light at the end of the tunnel. I’m hearing that some companies will be busy this Autumn and into next year. So while you’re waiting for that call, there are lots of things you can do to spend this down time wisely.
Historically we've had a quite basic server architecture. The list of applications we run kept on growing and more and more users started to make use of these applications, so we've recently had to take a step back and take some time to reflect on our architecture as rolling out an additional server and/or release applications doesn't need to be a huge task.
For the past three years, we have held a ‘CG Whiz’ competition, and one of the winners from last year just recently claimed part of his award by beginning a 12 week VFX course here at Escape Studios. We wanted to offer a little insight into what this opportunity means for Daniel, but, before we jump in, here’s a low down on the competition itself.
At the beginning of the month we gave a little insight into the world of Escape and how our graduation ceremonies work. As mentioned, we assemble all the different graduating classes into our breakout space, where students and tutors watch what each student has worked on during the first, or last, six weeks of their course.
Sometimes it’s difficult to take time out of an already busy schedule to work on something you love. You might not be able to take days off work, or have an entire evening taken up with travelling as well as learning in order to pursue your dream career.
Don’t you all just love it when our resident VFX tutor Mark Spevick shares his knowledge with us? And don’t you just love watching, with bated breath, Indiana Jones conquering new feats as he crosses a rope bridge that appears to be on it’s last tethers above a dangerous gorge? And of course we know you'll just love to know that we've put the two together.
There is a lot of nonsense out there on the internet, and often the line between fact and fiction is a blurred one. For the VFX industry however, the net provides a sturdy back catalogue of fact based webinars, tutorials and breakdowns, with many of the key players in the business regularly exhibiting online what they do. The internet is truly a tool that when utilised, can inspire and educate.
It’s always interesting to see how different studios rank, whether it’s in regards to gaming, films or television. On Wednesday, Develop Online released its top 100 best studios, which, let’s be honest is always good to have a nose at. This time, however, what made it more interesting for us is the fact that two escapees have gone on to work for the number one voted UK game’s developer, Traveller’s Tales!
Success stories about our escapees are always a pleasure to write up. What's even better though is the opportunity to write another, on the same person, just a year later! Mark Pascoe recently answered some questions for us, explaining his journey from studying Sports Science at University to working on the VFX for an Emmy nominated TV Show for the Discovery channel.
It’s fair to say that the world of VFX is a bit like a tardis, a tardis that escapee Allyn Lawson knows all about.