Is your mind a whirling dervish of creativity? Do your ideas formulate out of the blue, and evolve from non-existence to intrinsically detailed visions, in a matter of minutes? Channeling these skills can be an adventure, especially if you enter an industry where the boundaries are seemingly limitless…
Musical originality and relentless visual ingenuity are two of the many reasons that make American indie rock outfit ‘Ok Go’, one of the most forward thinking, and simultaneously underrated, bands of the 21st century.
It is a truth universally acknowledged that Escape students possess a unique ability to intake an insanely-high level of caffeine. Some claim it assists their CGI wizardry in the classroom, others argue it's due in part to our breakout space housing the largest cappucino machine ever created by mortal hands.
I recently commandeered a kinder egg toy from my colleague Ellen, in the form of a mini-spirograph!
August’s free tutorial goes out to all the Compositors. Take this opportunity to breathe a little life into your projects, using some NUKE trickery. Based on a technique applied while working on Narnia: The Voyage of the Dawn Treader, Compositing tutor and Head of 2D at Escape, Davi Stein looks at how to enhance basic elements within your scene for a more filmic look.
So we’re really busy here at Escape, which is why I’ve been playing around on the internet, making a cartoon of myself… all in the name of research of course.
These Autodesk eyeball sweets are causing quite a storm at Escape Studios—not least because a trail of Chinese whispers has led some students to believe we're giving away 'free Autodesk suites' ... awkward!
Also awkward: the look visitors give as you sit casually munching eyeballs, whilst taking a phone call.
There are just 14 days before the Assimilate and Escape Studios BBQ Round Two…not that we are counting!
That gives you only 14 days to nab yourself a spot at our exclusive BBQ event and after the success of the first event, places are limited. This second round BBQ will be taking place at The Shepherd’s Bar, Shepherd’s Bush on Thursday the 23rd of August and that is a date for your diary if I ever did see one!
To mark Escape's 10 year anniversary we decided to give the office a new look. Some of you who have been to our office may remember the funky brown and orange colour scheme gracing our office walls and the old layout of the desks next to our Reception area. Over the past few weeks the Escape office has dramatically changed and now we have a fresh, chic and very cool colour scheme of metallics and white. We've opened up a new area for our main office space and moved the Tech team into their very own area. There are more changes to come - we've got big ideas for the uninhabited space next to the Reception area plus some trendy furniture is arriving from our LA office.
A short time ago, our current students were treated to a presentation from some chaps from Lexhag Visual Effects. Lexhag are a small post production house with in house grading capabilities and benefit from years of on-set experience to create stunning effects for mid-level tv shows, such as Whitechapel and The Fades. We were visted by Effects Supervisor Alexis Haggar, founder of Lexhag and fellow escapee (from way back when), and Senior Producer Dan Marbrook. They took the time to come exhibit some shows they'd worked on, so the Escape Students could see the quality of work a small studio can produce.
There have been some exciting changes at Escape Studios recently, and with that we are very pleased to welcome our new Relationship Manager, Anita Gribble. In this role Anita will have two main responsibilities. One is to work closely with post houses up and down the country to continue building on the industry coaching scheme we currently have for our full-time students. As well as this she will be helping to maintain our relationship with recruiters at a variety of post houses to further benefit our students.
The art of filmmaking has come a long way over the last 100 years. The technology we use today to create breath-taking scenes continues to push the boundaries of high-definition and realism, but we should never forget the genius of film crews who didn’t have the opportunity to ‘fix it in post’ or rely on computer graphics to set the scene. As lots of you know, some of the best moments in film history were created by filmmakers having to think on their feet, making the best of an impossible situation. And of course there are certain skills that were essential to the filmmaking process back then that will start to be forgotten due to the rise in post-production capabilities and accessibility.
Or wanted to be able to say, ‘I did that’, when watching a film and seeing a huge, breath taking explosion? Then maybe you should start to think about pursuing a career in Visual Effects. At Escape Studios, we want to make those first steps into the industry as easy as possible whilst providing you with the tools to succeed. Our Visual Effects Production course will not only give you the skills to progress in the exciting world of Film Visual Effects, but will also show you how to make an impressive show reel (which results in many of our students securing jobs once they have finished.)
Ladies and Gentlemen, prepare yourselves and dust off your knives and forks as we are happy to announce round two of the Assimilate and Escape Studios Technology BBQ!
On Thursday the 23rd of August at the Shepherd’s Bar we are hosting a second BBQ with Assimilate and HP, but this time we have also partnered up with NVidia and Red Digital Cinema Professional to showcase a SCRATCH turnkey package exclusive to Escape Studios Technology.
Last Wednesday we sauntered down to our friends at Saddington Baynes, devoured some gourmet Pizza, washed it down with some ice cold beer and cleansed our pallets with some invigorating VFX related conversation, all in the name of our second graduate reunion…who says you can’t mix business with pleasure? And with a high calibre of industry employed attendees from the likes of Double Negative, Framestore, The Mill and MPC London, conversation was rife.
Last week I accompanied the current Compositing class on a trip to the MPC studio in London. It's all part of the industry mentoring scheme we're encouraging at Escape, as we work to prepare our students for the working world. With aspirations for one day working in the industry, we feel it's really important for all our students to get a taste for what is expected from them as early as possible in their training. Irene Bonilla was one student who joined us that day, and here's what she had to say about it...
It’s been a little quiet for a lot of Compositors this summer, but there seems to be light at the end of the tunnel. I’m hearing that some companies will be busy this Autumn and into next year. So while you’re waiting for that call, there are lots of things you can do to spend this down time wisely.
Historically we've had a quite basic server architecture. The list of applications we run kept on growing and more and more users started to make use of these applications, so we've recently had to take a step back and take some time to reflect on our architecture as rolling out an additional server and/or release applications doesn't need to be a huge task.