The Mill recently completed a commercial for US client Norfolk Southern, showcasing the transformative power of freight shipping. Being a rather stunning piece of work, you may be interested to know that this project was rendered primarily using Mental Ray, taking advantage of the newish unified sampling feature.
Here at Escape Studios, we know how you all enjoy getting to the heart of what makes up a stunning VFX shot. So imagine our delight when hearing that Prime Focus World have just released the first of a new behind-the-scenes web series, ‘Close Up’. And let me tell you, these nuggets of geekiness will not disappoint.
This month’s free tutorial is a sneak peak of a workshop presented at the VIEW conference in Turin, Italy. Earlier this month one of our VFX tutors, Daniel Shutt, led a 6-hour workshop to demonstrate camera mapping, transforming a still photograph into a photo realistic animated shot. A technique used in film, commercials and broadcast television, it’s now time to apply this process to your own projects.
Very recently I came across a really cool web based app to create media applications for online. And it’s the kind of thing I felt needed to be shared with you all.
Okay so it’s 2012 and I’ve seen so much cannon fodder footage on the internet that these days, when surfing the web, I am indeed hard to impress.
Having the opportunity to learn over the web has been hugely beneficial for many aspiring CG artists. The perfect solution to fit around busy schedules, it has allowed students worldwide to take advantage of the comprehensive VFX and Compositing training we offer. But of course, the success of this tuition is very much down to our fantastic Escape tutors.
Some of you may have been feeding off the trickle of teaser footage in circulation for the Iron Man triquel, coming to a cinema screen near us soon! And if you are one such person, you’ll be delighted to learn that a ‘full’ teaser trailer is now doing the rounds, showing off the abundance of action in store for us upon its release in April 2013.
This Wednesday, October 24th, we’re hosting a webinar with compositing tutor and Head of 2D at Escape Studios, Davi Stein. During her presentation, Davi will guide us through the core processes behind compositing, highlighting exactly what a compositor does, the range of roles available in the industry, and how Compositors are largely responsible for creating the CG magic we see on screen. As well as this, Davi will comment on the effects of some of the most recent changes in the industry to date.
With the help of some top class industry speakers, cinemas in a handful of the world’s most prolific post houses, a dedicated team of Escape staff and some fantastically helpful VFX Marshalls, it is no surprise the UK’s first ever VFX Festival, was a storming success.
As a design graduate with 7 years’ experience working within design departments in architecture and retail I spent what time I could learning how to model and animate to create short sequences influenced mainly by films I like. Although fun, learning that way means progress is very slow as is the rate of improvement - at least in my case anyway. I wanted to get better quicker and that's why I signed up for the VFX Production course.
For Years I've been fascinated by space, as a VFX artist it's the closest thing we have to observing epic film effects in real life. Every star, nebula or galaxy represents incredible pyrotechnics happening right in front of our eyes… albeit a few million years late some of the time. As an example, this is a picture I took a few years ago of M27, also known as the ‘dumbbell nebula’. This is the result of a supernova, a gigantic explosion in space - throwing off matter, the red stuff is mostly hydrogen gas, the greenish stuff is oxygen.
As you probably know Escape Studios organised and hosted the UK’s first VFX Festival last week with events, seminars and master classes taking place across London. The VFX Festival went down an absolute storm and was a fantastic platform to demonstrate the success of the UK’s ever-expanding visual effects industry.
Want to be a part of a European forum to discuss the latest research, advances and state-of-the-art industry practises?
It seems that for the last decade, a whole plethora of films have been remade when the original should never have been touched. Classic cult offerings such as Assault on Precinct 13, Cape Fear, Death Race 2000 and even Clash of the Titans have all undergone a reworking, which some might say was wholly unneeded.