It’s hard to conceive, now, of the time when film production and visual effects were an American concern. Not much over a decade ago the majority of big blockbusters shot in and around LA, and effects houses in Malibu or the Presidio gave them their visual oomph. But things have swung so fast and so decidedly towards the UK that it now feels almost quaint to see a film made in the US. Next year’s biggest films – Avengers, Star Wars, Bond, Mission: Impossible – are all based here in Blighty, and more are queuing behind them.
Last Thursday, 11 December we hosted our last event of the year, and it just so happened to be an evening with two CG masters; an event for current students, our very own graduates and VFX enthusiasts to gain an insight into the industry from professionals themselves. If you missed out, don’t worry, we hope to be running more in the New Year so make sure you sign up to avoid disappointment!
Ash here from Escape, wishing a Merry Motion Graphics Christmas to you all!
Actors and filmmakers: Have a project you’d like to kick-start in the New Year? Apply for funding today!
If you’ve always been interested in starring in a film or in the process of making one, this is your opportunity. The MMBF (Matthew Martino Benevolent Fund) is a UK based charity supporting filmmakers, actors and young people with an interest in arts through training grants and bursaries.
You’ve seen the poster, watched the teaser videos and heard the chit chat, and you’re not mistaken, the VFX Festival is very much on the horizon. In January 2015 we’ll be hitting London’s Leicester Square armed with some of the most talented VFX artists on the planet, and I thought I’d put together a brief rundown of what’s in store, for those who haven’t had a chance to check out our brand new festival site yet.
You’ve been talking about it, your friends have been talking about it, your friends’ friends have been talking about it, hell I even heard the milkman talking about it the other day, and now the date is finally here. That’s right, it’s time for you to start preparing for the VFX Festival 2015.
If you’re in the business of creative careers, then it’s likely you’ll be aware of Creative Skillset, an organisation that aims to plug skills gaps, identify funding needs, and train, develop and nurture people within creative industries.
Anita, Vania and I were at VIEW Conference in Turin, Italy last week, and on Wednesday I hosted a NUKE Taster day style workshop for a packed house of 35 students. Most attendees came from 3 surrounding animation art schools within the arts centre in central Turin. After the session I had lunch with some of them and discovered that in their foundation year they are learning traditional animation, 3D and filmmaking, then specialising afterwards in 2D or 3D animation for their final project.
Whether you’re a seasoned VFX pro or just entering the industry, it’s highly likely that you would’ve seen and enjoyed the work of Paul Franklin, in fact considering the insane projects he’s been involved with, this blog doesn’t take much writing, so I’ll keep things short and sweet.
The HP ZED London pop up is a rich source of knowledge for those who are considering a career, or are already involved in, the business of VFX.
Compositing Master and long-time friend of Escape Victor Perez, has recently taken a new direction within his artistic career, and after years in the VFX biz, is taking the skills that he has accrued supervising on some huge projects (you may have seen his story on our Escape & Enter site) into the field of film Directing, and at the moment is embroiled in some pretty exciting projects.
David Han studied our 3D for VFX Online taster course earlier this year, and he answered a few questions about the experience!
First of all, I’d like to introduce myself; I’m Lola, and you can find me at Front of House at Escape Studios. I’ve recently joined the team and have been lucky enough to meet some of our lovely students and Escapees; feel free to pop by reception and say hi!
"Filmed on location within Tavares Bastos favela, Santa Teresa and The Maracanã in Rio de Janeiro, Brazil. The BBC World Cup 2014 titles visual effects were created by GeeFX Studios. The entire piece was done at 6k resolution, filmed with a Red Epic Dragon. Although only broadcast by the BBC in HD, you can view a 4K version on the RED youtube channel above. In conjunction with The Sex Pixels, Unlimited VFX Limited brought to life the statue of Brazil’s 1958 world cup winning captain, Hilderaldo Luiz Bellini, The Macarana stadium entrance and Brazillian sky were also augmented for dramatic effect.
Last week Ash Miles and myself spent a fantastic three days filled with education and inspiration at Reasons to be Creative in Brighton. This is a conference that brings together some of the most talented designers, coders, filmmakers, animators, installation builders, illustrators, and artists who offer a little window of insight into their work and careers.