It was whispered around the film community that we Alfonso Cuarón got started on Gravity, it was going to be something truly epic. Well the first reviews came in today from the Venice film festival where it was premiered, and guess what, it sounds just that! Here are a few snippets from reviewers/tweeters that have been kindly collated by thefilmstage.com. (check the site out here for the full reviews)
We’ve been brewing up a VFX storm over the last few weeks in the form of the VFX Festival 2013. Last year’s Festival was a huge success, tickets sold out in 72 hours and after a week of packed workshops and talks, this time we had no choice but to make things bigger and better!
I'll admit I don't play video games, but I do thoroughly enjoy seeing the environments that they create. I came across this site that highlights some beautiful game worlds, assembled by ultrabrilliant.
Don’t you just love it when two intricate art forms collide to make something equally as wonderful as each ingredient on its own? We saw this video (above) created by students from the University for the Creative Arts, and not only did we fall in love with the computer generated imagery, but we were impressed by the fact that this animation was synchronised with a live recording of Milhaud’s 'La Création du Monde'.
Star Wars Episode VII is on the horizon, and whether you are jumping in the air with excitement or recoiling every time the film's title is uttered – the creation of the motion picture is going to be one interesting venture.
On Wednesday Aug 7th rotoscoping guru Martin Body, whose work spans from 2001: A Space Odyssey to Casino Royale to Skyfall, is speaking at our Open Day about his epic career in the world of Visual Effects. Pre-digital, Martin was an optical and rostrum cameraman and even used to roto by hand using paper and scissors to create matts back in the day!
Tomorrow, August 1st, we're hosting a free webinar with Head of 3D and Escape tutor, Mark Spevick, who will be revealing some of the secrets at the heart of VFX. Introducing you to key techniques and exposing what this creative career is really like, Mark hopes to demystify the science behind the art.
Fan favourite film mag Empire recently released a list of cinema's greatest VFX shots as picked by industry experts and it certainly hit all the right notes. Classic scenes from Jurassic Park, Star Wars and The Abyss were all on there, but we were particularly proud to see number 1 being Davy Jones' face from POTC:DMC, which our very own Head of 2D and tutor Davi Stein worked on during her time at ILM! Congratulations Davi!
Calling all filmmakers! Are you an IdeasTap member? If so, then you’ve got until Friday 6th of September to enter this competition, run by the National Theatre, who are in search of creative minds to make a short film inspired by their new show; ‘The Light Princess’, (click here for more information on entrants source of inspiration)
It’s been a sweltering couple of weeks, and in the UK, it’s a well-known fact that we love to talk about the weather, what kind of London based establishment would we be if we didn’t blog about it?
Hi dudes! It's been a while since I've seen a film where the special effects really surprised me. The thing is that these days everything is ordinary: it's absolutely normal to go to the cinema and see giant robots, extreme explosions, blah blah blah.
Delivering the most up-to-date curriculum to our students is always at the heart of Escape Studios’ training. To achieve this we rely heavily on our industry connections to keep us tuned into the latest trends, technologies and processes at use in the current VFX climate, helping us develop and deliver the most relevant training for those looking to forge a career in VFX. To help us with this, we’ve appointed an Advisory Board of top industry figures who share their thoughts on what’s happening in the industry, where it’s headed and what’s required from VFX artists at this time.