This time of year tends to be a busy time for VFX, particularly for Compositing departments, with film production schedules nearing the end of their pipeline, and VFX teams working towards looming delivery deadlines. During this busy time, it’s great to see our graduates benefitting from the industry’s demand for more experienced Compositors. This is certainly the case for Jacopo Landi who graduated from our Advanced Compositing for VFX course last March and is now working at Double Negative as a Digital Stereo Compositor.
Last Thursday evening we hosted a recruitment event in honour of our Alumni from the last two years. The night was dedicated to celebrating their work in VFX so far, as well as a networking opportunity with recruiters from the leading VFX facilities in London. We were joined by Framestore, MPC, The Mill, Jellyfish Pictures, Milk VFX, Molinare, Rushes and ILM (Industrial Light and Magic).
Here at Escape Studios, we have subscriptions to the most cutting edge Industry publications delivered to our studios each month, and we fist punched the air recently when we saw both an Escape Tutor, AND one of our advisory board members featuring in 3D Artist Magazine and 3D World Magazine respectively.
Sci-Fi-London (The London International Festival of Science Fiction and Fantastic Film) kicks off today, boasting a fantastic line up of titles – some new and some offering more of a nostalgic trip down memory lane. We’re particularly excited about the short film programme, Shorts Programme 2, to be screened on the closing day, Sunday 4 May, at BFI Southbank.
This year’s CG Student Awards competition has just launched and they are now taking entries. As big supporters of this competition we’re delighted to see it back for another year, and it’s looking bigger and better than ever. Dedicated to students studying for careers in Next-Gen Games and VFX / Animation industries, this competition is a great opportunity for students and alumni to showcase their work to industry experts, offering a little helping hand up the VFX career ladder.
Gravity has been celebrated across the film industry for it's outstanding achievements in VFX – a real testament to the skills of the production teams here in the UK. London based VFX studio Framestore managed the creation of the ground-breaking visuals, and 3D conversion company Prime Focus World created the 3D effects. We'd like to send everyone on the Gravity production team our congratulations on the success of their work.
For some of you with your ear to the ground, this won’t be news. It’s been rumoured for some time now that Industrial Light & Magic (ILM) were considering an expansion into the UK, and now we can rejoice in knowing the rumours have been confirmed. Yes – ILM are in the process of setting up a new facility in central London and will be looking to hire UK based talent too.
The original Alien is an incredible film. Arguably the granddaddy of space horror, it took the 70's corporation paranoia into the black, littered flawed and earnest characters throughout a floating factory and gave birth - quite literally - to one of the most terrifying creatures in cinema history.
3D modelling is one of the very first skills we teach on our 3D for Visual Effects course. The backbone for all convincing 3D VFX, it requires a strong knowledge of topology, form, texture and detail. In every class we find someone with a natural flare for this craft and 8 years ago Adam Dewhirst was one such person.
With VFX heavy films receiving a huge amount of positive reception in the 86th Academy Awards nomination lists, we’re seeing more people than ever with a keen eye on the 12th Annual Visual Effects Society (VES) Awards nominees. The leading titles recently announced are 'Gravity', 'Frozen', 'The Croods' and 'Game of Thrones', and the question on which of these is going to scoop up the most awards is creating quite a buzz around here.
Seeing escapees working on Hollywood blockbusters is a regular occurrence here at Escape Studios, and 2014 promises to be no change from the usual schedule, as we recently spoke to escapee Simone Cilliani who has worked on one film we’re particularly looking forward to; ‘300: Rise of an Empire’, set for release in March 2014.
Every VFX artist wants to get to grips with state of the art software, it’s essential in an industry that is constantly evolving to keep nipping at the heels of the proverbial beast.
If you’ve not heard of Lee Danskin – well now is the time to get introduced. When it comes to Autodesk Maya, this is a man worth knowing. Director of Technology at Escape-Technology and the man who had a hand in creating Maya 1.0 (the 3D package that revolutionised the industry), Lee has enjoyed an incredible 18-year career working on high profile projects for some of the UK’s biggest VFX studios.
With a new year fast approaching, there's never been a better time to think about your career prospects and embark in something new. For those of you looking to step up the ranks as a VFX ninja, 2014 could be the year to make it happen.
What's the secret behind breath-taking visual effects? There are lots of elements we need to consider before answering this question – such as modelling, texturing and lighting your scene - but a pivotal point in the process of bringing a computer generated image to life, is rendering. And one man who has dedicated a great many hours into this area is The Mill's Head of Maya Development, Suraj Harrington-Odedra.
Here is a killer piece of 'advertising meets special effects' that caught our eye this week.
Once upon a time, in a world full of extremely complex effects, there was a place where people thought that only explosions, giant robots, monsters and set replacements could cause their jaws to drop, then a company called Bot & Dolly decided to show to everyone how they could make something compelling and inspiring... just with primitives!
Calling all Softimage (XSI) fans out there - get yourself down to the next user group event tomorrow night. With an awesome line up of speakers it’s another great opportunity to catch up with your fellow animation Softimage users and a chance to check out some of the Softimage projects from over the last year.
Hello loyal readers, A P Miles here with sad, sad news. It seems that I've bucked the trend and decided to catch the winter cold rather early, turning my normally deep and soothing voice into a growley, crackly mess, and increasing the pressure in my head to somewhere close to 500 fathoms deep.