The VFX industry has emerged to become the most fervent, vibrant and limitless creative platforms of the 21st century, and has created a world where, equipped with the right skills and determination, the phrase ‘the sky is the limit’ is rarely an understatement.
We spoke to our friends over at Prime Focus World last month, in conjunction with their completed work on the stereo conversion of Tim Burton’s stop motion comedy horror - Frankenweenie. PFW worked closely and moreover, exclusively, with Disney and Burton on the picture, and the opportunity to chat about the project was just too good to miss!
When you're just having one of those days in front of your computer, it's always good to take a step back, and gain some perspective. Get some inspiration!
Another month and a half has flown by, and this afternoon we hosted the end-of-course presentation for our latest round of escapees. Gathered in our breakout space, the afternoon has been filled with laughter and applause. The quality of work on show has been, as ever, astonishing—it never ceases to amaze just how far our students progress in such a short period of time; and we feel confident these bright young things now stand in good stead to polish up those all-important industry-cracking showreels.
Having just started the VFX for Production course here at Escape Studios, I've been keeping a diary to share how the course is going for me so far. And here's an update on week two. The class is truly in full swing, and when it came to writing my diary, it seemed to be over before I knew it had started. Time flies when you're having fun!
This Wednesday, October 24th, we’re hosting a webinar with compositing tutor and Head of 2D at Escape Studios, Davi Stein. During her presentation, Davi will guide us through the core processes behind compositing, highlighting exactly what a compositor does, the range of roles available in the industry, and how Compositors are largely responsible for creating the CG magic we see on screen. As well as this, Davi will comment on the effects of some of the most recent changes in the industry to date.
With the help of some top class industry speakers, cinemas in a handful of the world’s most prolific post houses, a dedicated team of Escape staff and some fantastically helpful VFX Marshalls, it is no surprise the UK’s first ever VFX Festival, was a storming success.
For Years I've been fascinated by space, as a VFX artist it's the closest thing we have to observing epic film effects in real life. Every star, nebula or galaxy represents incredible pyrotechnics happening right in front of our eyes… albeit a few million years late some of the time. As an example, this is a picture I took a few years ago of M27, also known as the ‘dumbbell nebula’. This is the result of a supernova, a gigantic explosion in space - throwing off matter, the red stuff is mostly hydrogen gas, the greenish stuff is oxygen.
Last week saw the UK’s very first VFX Festival, hosted by Escape Studios—a four-day spectacular exploring the breath-taking world of visual effects. Our industry pals and we celebrated the last decade of VFX with a jam-packed schedule of exclusive events, and it was our tutor-led workshops at Escape HQ that seemed to particularly whet the appetites of all those budding VFX artists out there.
Want to be a part of a European forum to discuss the latest research, advances and state-of-the-art industry practises?
We've invited Victor Perez to share some of his top tips and tricks when working with Python in NUKE. Having studied our Compositing for Production course back in 2009, Victor has gone on to master NUKE to a highly professional level. Voted this year’s second most valuable nukepedia.com contributor, and one of the first official Nuke certified trainers, Victor has prepared a webinar to show you what’s possible when you apply Python scripting to a project.
Before becoming a mighty VFX warrior, you need to become a master of Maya. That is why our VFX courses are designed so you dedicate significant time to mastering the tools inside Maya before taking the next step into more advanced visual effects. And of course, it’s only when you know the limitations of any creative tool, that you know how far to push it.
Calling all VFX artists! Is it time to take your career to the next level? Learn how to create earth shattering natural disasters, amazing particle flows, beautifully complex dynamic simulations and cataclysmically destructive explosions…without being prosecuted.
A fresh batch of escapees have broken out of the Escape studio and what a talented bunch to emerge, even if we do say so ourselves...