In a fast paced industry, where new technologies are being introduced more frequently, it can be difficult to stay on top of which products successfully aid efficiency and quality in our work. It’s great to know that some companies take an opportunity to show off their products and how they are being utilised in the industry. Last Thursday I made a special effort to attend an event for NUKE and MARI software. The torrential down pour that evening made venturing out difficult, so I was glad to see so many people were able to attend. Armed with umbrellas and rain coats well over one hundred of us braved the weather to enjoy an evening with NUKE and MARI, an event hosted by Escape Studios in collaboration with The Foundry and HP.
I'm really honoured to have been asked to join a panel of speakers for a session on Continual Professional Development (CPD) Education and Training at the International Animation Festival (LIAF) in London.
I was driving home from work last night, and as per usual, I tuned into the PM program on BBC Radio 4. Among the usual daily political squabbles about the Hacking Scandal, the debt crisis in America and the conflicts in Libya and Syria, there was a piece about the 2011 Sats results that caught my attention. Well, when I say "caught my attention", I actually mean that it left me reeling with anger and bemoaning the fact that we so often fail children. Let me explain...
If you want to create a seamless finish for your CG scenes, this is the video tutorial for you. This month, I've created a tutorial that explores how paint effects can be used to embed models into backplate environments simply and easily.
What's in this Tutorial?
First off, we'll take a look at paint effects and will explain how you can paint onto geometry. In order to do this, you’ll need to understand the importance of an object's UV which we will discuss as well. You'll then learn how to access a host of preset paint effect brushes that you can find in Maya.
Dom, Mark and I were delighted to play hosts to Ed Vaizey – the UK Minister for Culture, Communications and Creative Industries – yesterday.
Did any of you read this recent story (Private college undercuts on tuition fees) published on the BBC? If you haven’t, it basically focused on the emergence of competition in the education sector from private colleges. The journalist, Sean Coughlan, took the example of the ifs College of Finance in London who recently announced that they would be charging fees of £5,750 to £6,000 per year.
There are some key compositing concepts that every artist just starting out in the industry should know about. That’s why I have decided to put this webinar together. I will walk you through those concepts, concentrating on a shot that involves Roto, Paint and Rig removal. This is something that I cover in great detail in the Compositing for Production Course that I teach at Escape Studios. I teach about all the techniques that our students will be required to use when they get a job in the industry. This practical knowledge is essential and my aim for this webinar is to give you a taste of these techniques helping you to stand apart from the competition.
When I was picking my GCSE's and A levels I had to pick between two routes, Maths or Art. This I believe, is still the case, but I'd like to ask why?!
An announcement by Edge, the education charity, caught my eye this week. It said that universities should now be required to teach employment skills as part of degree courses. According to its latest study, employers now believe too many graduates are unfit for the workplace.
How would you go about having fun making electronic circuits? How about by combining it with play dough?...
The Escape University Tour starts up again this month after a short break for Easter. Last week, I was in Ipswich to speaking with students at the School of Arts and Humanities at University Campus Suffolk.
Are you looking for something to do this summer? Ever heard of StudioAKA? They are a London based multi-BAFTA winning animation production company, known world-wide for their amazing innovative work. And they may want you for the Summer!
They are looking for a bright spark to work in the field of DB & pipeline development (within June to August).
It’s not often that I see something that just makes me pause and wonder in amazement, but a few days ago, I came across a short video that did just that.
Calling all escapee's and graduates... An opportunity to be part of this amazing apprentice program in California!
Another week, another headline about English universities charging students over the odds: “University fees: Half opting for top fees”.
The tour continued with a whirlwind week of talks. Firstly I met with a small group of the Games Development students at the University of Westminster. They have a number of interesting courses there as well as some interesting research projects - I hope we can build on this initial meeting and I'll be able to tell you more about what they are up to in the future!
Over the past couple of weeks we've been busy working on our online learning system. "Really? I haven't noticed any difference", I hear you say... Well, it is true that most of the work carried out has been "under the bonnet", so you might not have noticed anything. The reason for sharing this with you today though, is that this work is enabling us to bring to you a number of new features and enhancements.
On Tuesday I attended the launch of the Livingtone-Hope report which was undertaken to address the skills issues facing the UK's games and visual effects. Escape Studios staff have taken part in a number of the surveys which went into building the data for this report as well as speaking directly to Hasan Bakhshi and Juan Mateos-Garcia from NESTA, who did a large amount of the work of pulling the data for the draft report together. In essence the report lays out 20 recommendations across the talent pipeline from schools through FE and HE to the industry. All these parties as well as the government and other skills and training bodies such as Skillset are called on to do their bit. All of this whilst being realistic about the funding and resources available, the recommendations had to be about the focus of existing funds not calls for large sums of new money.