You’ve been talking about it, your friends have been talking about it, your friends’ friends have been talking about it, hell I even heard the milkman talking about it the other day, and now the date is finally here. That’s right, it’s time for you to start preparing for the VFX Festival 2015.
If you’re in the business of creative careers, then it’s likely you’ll be aware of Creative Skillset, an organisation that aims to plug skills gaps, identify funding needs, and train, develop and nurture people within creative industries.
The HP ZED London pop up is a rich source of knowledge for those who are considering a career, or are already involved in, the business of VFX.
At the end of this month (29th September to be exact), starts Escape’s very first dedicated Motion Graphics course – a 12 week (part time) evening course for creative folk who want to take their digital designs to new heights. And with an internship at CAKE up for grabs, this course is launching its graduates into the industry, firing on all cylinders!
Last week Ash Miles and myself spent a fantastic three days filled with education and inspiration at Reasons to be Creative in Brighton. This is a conference that brings together some of the most talented designers, coders, filmmakers, animators, installation builders, illustrators, and artists who offer a little window of insight into their work and careers.
This year’s CG Student Awards competition has just launched and they are now taking entries. As big supporters of this competition we’re delighted to see it back for another year, and it’s looking bigger and better than ever. Dedicated to students studying for careers in Next-Gen Games and VFX / Animation industries, this competition is a great opportunity for students and alumni to showcase their work to industry experts, offering a little helping hand up the VFX career ladder.
If you’ve not heard of Lee Danskin – well now is the time to get introduced. When it comes to Autodesk Maya, this is a man worth knowing. Director of Technology at Escape-Technology and the man who had a hand in creating Maya 1.0 (the 3D package that revolutionised the industry), Lee has enjoyed an incredible 18-year career working on high profile projects for some of the UK’s biggest VFX studios.
What's the secret behind breath-taking visual effects? There are lots of elements we need to consider before answering this question – such as modelling, texturing and lighting your scene - but a pivotal point in the process of bringing a computer generated image to life, is rendering. And one man who has dedicated a great many hours into this area is The Mill's Head of Maya Development, Suraj Harrington-Odedra.
Last Friday we took a train south to Bournemouth for the 2013 BFX awards ceremony, which was a truly wonderful event. Awarding and celebrating emerging talent from eleven UK universities, the teams who took part in this competition impressed us mightily.
Hello loyal readers, A P Miles here with sad, sad news. It seems that I've bucked the trend and decided to catch the winter cold rather early, turning my normally deep and soothing voice into a growley, crackly mess, and increasing the pressure in my head to somewhere close to 500 fathoms deep.
An interesting article appeared on Linkedin this week, on the future of Higher Education in America. Written on the back of an encounter between California’s Lieutenant Governor Gavin Newsom (who also sits on the boards of the University of California and California State University systems) and brand new start up education company ‘Udacity’, an organisation that creates online college courses focused largely on science and technology.
Often for a VFX artist there is a defining moment of clarity, whether it be during a TV program, an epic film, or just viewing a highly detailed drawing, most of the artists we encounter, when asked “what made you want to become a VFX artist?” Usually one of these occasions is cited as a reply.
This year we’re celebrating the 150th anniversary of the fabulous, London Underground.
For those of you who are interested learning more about the tools being used by the pros, here’s a great article from the fxguide crew sharing details of the recent evolution of Naiad into Bifröst. In my opinion, this is one of the most exciting developments to come from Autodesk in quite some time. Find out more here.
If you didn’t already know, we’re big fans of technology in education, when these two fields are spliced together in a truly ground breaking way, we can’t resist a blog post about it!