Many 3D fans will be aware of the power of Maya, and the influence it has on the world of VFX, from blockbuster films to major games series, Maya is one of the most incredible creative tools on the planet. But like a pack of Arctic Huskies, it demands time and attention if you wish it to take you voyaging across the vast plains of 3D.
Something Pixar are always great at is sharing their wealth of wisdom with fellow artists. Having come across this wonderful snippet of inspiration the other day, I felt it needed to be shared with all you compositing and VFX artists out there. It’s important to know that even the guys at the top have a tough time!
The VFX industry has emerged to become the most fervent, vibrant and limitless creative platforms of the 21st century, and has created a world where, equipped with the right skills and determination, the phrase ‘the sky is the limit’ is rarely an understatement.
Last Monday, November 19th, we ran a very popular webinar with Victor Perez, a master when it comes to using Python inside NUKE. A whopping ninety nine people attended this live webinar to hear what Victor had to share, and we’ve had an incredible number of requests from people who couldn’t attend to share the webinar recording. For us, this interest has been very encouraging, and we look forward to bringing you more webinars like this.
How does someone go about getting a Junior Compositor role at an international VFX studio like The Mill? Well in this month’s tutorial Simon Richardson reveals how it all started for him. From experimenting with Adobe’s After Effects at University, Simon was introduced to basic keying techniques in a layer based system. And this was when the seed was planted that would flourish into him conquering NUKE, and working at one of the top VFX studios in the world.
Do you want to find out more about Visual Effects? Want to meet the guys who blow all that stuff up? The people who make Bond a legend? The people who make you believe that VFX isn’t even in the film? To make our last two Open Day's of 2012 go out with a bang, we’re hosting them at our friends' facilities – two of the biggest post houses in operation today, Framestore & Cinesite.
January is fast approaching, and with that brings new year resolutions and ambitions. Looking to the future, you may be keen to find out what you want to do following the end of your studies. Or perhaps you’re keen to change careers or simply enhance the computer graphics skills you already have. With this in mind, it seems there’s no better time to visit our facilities and discover how doing a course at Escape Studios will help you get to where you want to be.
Another month and a half has flown by, and this afternoon we hosted the end-of-course presentation for our latest round of escapees. Gathered in our breakout space, the afternoon has been filled with laughter and applause. The quality of work on show has been, as ever, astonishing—it never ceases to amaze just how far our students progress in such a short period of time; and we feel confident these bright young things now stand in good stead to polish up those all-important industry-cracking showreels.
Having just started the VFX for Production course here at Escape Studios, I've been keeping a diary to share how the course is going for me so far. And here's an update on week two. The class is truly in full swing, and when it came to writing my diary, it seemed to be over before I knew it had started. Time flies when you're having fun!
As Training Advisor here at Escape Studios, I speak with a lot of people looking to take the leap into VFX. Although everyone’s situation differs considerably, I do find that many have the same concerns. So after speaking with past student Ashley Miles about his experience on the VFX for Production course, I thought I should share some pearls of wisdom, to help clear up any concerns you have about embarking on this new career path.