A few weeks back, I presented a webinar on the ‘Key Concepts in Compositing’ and lots of you asked when the video was going to be made available online. Well, now it is and you can watch it here. If you’re not registered on our website, you'll need to sign up first and then log in to watch the video.
Creative Futures is a study we recently commissioned to uncover what people in the creative industries really think about training. One of the key factors emerging from the report was that many professionals currently in full time employment, were actively seeking new skills to further their career. In these cases online or evening study are the only option.
Giuseppe Candido is not only a recent character animation course escapee, but now also a very talented animator and a skilled Maya Generalist. He has put together one of the most charming demo reels we have seen here at Escape Studios. Giuseppe combined many of his student exercises into a circus project - creating a stunning short film in the process, and all completed from scratch in just six weeks.
We currently have one final seat available on our hugely popular compositing evening course which is starting this week! This course has been booked up for some time but we have just had a late cancellation which has freed up a space. If you're interested, be sure to contact us straight away. But don't worry too much if you can't make this one, we do have a new round of evening courses starting October for compositing and Maya Core on October 10th.
I felt a little bit like an old-school headmaster last week, taking our latest set of compositing students to MPC where they were to have their work critiqued for the second time. Lots of worried faces trudged behind me - nerves apparent and laughter a little thin on the ground. As usual, all of their concerns were completely unfounded and they all actually left the place beaming and proud of their achievements. But I do understand how showing your work to a bunch of seasoned professionals can be very daunting - despite the team at MPC doing their best to make the experience a relaxed one for our students.
Finland native, Miska Janhunen had been working for his family’s visual design firm as a Webmaster for some time, but he harboured a dream of working in VFX. For years he has been trying to find time and flexibility to study CG. “Because of my location and current situation in life, it felt more or less ‘mission impossible’. Then, in the autumn of 2010, I found Escape Studios’ Online Mentored VFX course and all the pieces fell into place.”
As promised here's another escapee reel. This time from Ben Revens, one of our recent VFX graduates. This is a great reel with good examples of work from two of our most popular courses. The violin and tank shots were produced during our 12-week Visual Effects Production course. The more elaborate and advanced staircases shot was produced during our 6-weeks Visual Effects Professional extension which Ben took straight after his VFX Production course.
A few weeks back, CWJobs spoke to our Recruitment Manager, Garreth Gaydon about the best way of getting a job in the VFX industry when you're first starting out. The feature which you can read in full here discusses the high demand for jobs in the VFX industry and the kinds of first jobs that will enable you to get your foot in the door and make it as a VFX artist. It’s a tricky industry to enter because it is both highly creative yet technically very demanding which requires a serious amount of skill and creative ability.
We're very proud of the work we do here at Escape Studios but we probably don't show enough of our students' work. Over the coming months we're going to be featuring much more student work on our website but in the meantime I wanted to start showing some of the reels from our most recent graduates.
Some of you may have seen a series posts from students' 'coaching diaries' on our blog recently. For those of you who don't know, some of our students studying our classroom courses are being coached by the industry's biggest post houses; The Mill, Double Negative and Framestore. This week, compositing student Clement Roland shares his experience with us.
A few weeks back I took my class to the Natural History Museum so that we could generate some new footage which they could camera track with. It was lots of fun as they not only got to film live-action footage, they knew exactly what they would have to work with when getting back to the classroom. For me, keeping things fresh is important - and so filming new footage for the students to work with is a must. As you can see from the video, we're all pretty excited to be out of the classroom!
It’s such a great feeling when you attend a packed out event and the people pouring in turn out to be our former students. And that’s exactly what happened a couple nights ago. I attended a PFTrack event organised by our Technology Team, and it was a storming success. The room was packed with over 50 people – all craning their necks to get a better view of the speaker.
Lots of the attendees at the event were escapees who we didn’t just train but placed in their current jobs. It was great to catch up with Jacob Flint who studied our VFX Course last year and so refreshing to hear that he’s just as excited about working at The Mill today, as he was when we first placed him there. That’s a pretty rare thing these days.
Job satisfaction is massively important, and if you are not entirely happy with what you are doing, then I would encourage you to ‘shop around’ and find out what’s out there. Doing so doesn’t have to be that taxing either. If you follow us on twitter or use our RSS feed you’ll be first to hear about new jobs, daily. Because we work with nearly all of the major names in the industry, most of the jobs that are out there come through us.
So, if you’re stuck in a rut, or just fancy a change, we might just have the right thing for you.
The new course announcements are coming thick and fast at the moment, having recently launched our new Compositing Professional course I'm really pleased to announce the launch of our new 18-week Visual Effect Animation Professional course.
Most of you will remember that I ran a webinar last month called "Entry Level and Junior Roles for Compositors", which focused on what you can expect as a junior compositor in the industry.
A few weeks back we told you about our classroom courses being coached by the Industry. One of our students, Alexander Kubinyi, told us about his experience at Double Negative and what it was like to have your reel critiqued by Alex ‘The baron’ Wuttke. This week, we catch up with another escapee who is studying our Compositing Professional Course and is being coached by The Mill. Here’s a snippet from Mary Lapena’s coaching diary.
Current Escape Studios’ VFX Online Mentored student, Ricardo Viana is approaching the end of his course and looking forward to developing his showreel and meeting with our recruitment team. In addition to his coursework, he has a very busy schedule to maintain, but that has not stopped him from pursuing his dream.