James Cameron heads underwater for his Avatar sequels.
It's very easy to lose creative motivation and it's something every artist will experience at some stage in their career. We all got into Visual Effects to work in a creative career, so why stop living the dream? To remain on the cutting edge of creativity, sometimes you need to take yourself out of your comfort zone and remind yourself of the things in VFX that speak to you the loudest - because ultimately that’s what will drive your best work.
If like me you’ve been eagerly anticipating every weekend for the time when you can stream the latest episode of Spartacus: War of the Damned, you’ll know that this weekend was the penultimate episode of arguably the most fantastically gory series ever to hit television screens.
Escape to Stuttgart!
“I’ve waited for this day for a long, long, long, long, long, long time”
Another busy day on Front-of-House…
It’s full steam ahead here at Escape…
Nickelodeon has come a long way from the days of Kenan and Kel, Saved by the Bell, Rocket Power, Doug, and Hey Arnold! (just a handful of my personal favourites) and it’s fair to say that considering this most recent announcement, the level of broadcast on kids television is becoming ever more sophisticated.
Readers of our blog out there will remember a piece we posted a few weeks back about the concept of ‘the uncanny valley’, and I’m sure you’ll agree that it’s pretty darn weird in action!
I haven't yet seen the Croods, but my four year old's pester power means a trip to the cinema is inevitable this Easter. When I saw the first trailer a number of months ago, however I was left a little cold and felt little compulsion to make the effort to see it. It seemed rather predictable, not particularly lovable characters and no real 'hooks' to grab me. I did change my mind completely a few weeks later when Chris Sanders started releasing his story boards for the Croods. They are nothing short of stunning.
This morning, Escape Relationship Manager Anita Gribble and Head of 2D Davi Stein, took students on a trip to the heart of the West End – to see the newly opened Double Negative facility in Great Portland Street, which opened just 3 months ago! As is always the case with our studio visits, everyone set off early with an unquenchable thirst for knowledge and a hunger for adventure.
To get a real good grasp of compositing and the discipline that surrounds it, there’s no better way than seeing the process in action for yourself. And if this is something that sounds right up your street, the only other thing to add is that your guide for this comp session is none other than NUKE devout, Simon Richardson.
One of the beautiful things about the internet is the ability to translate any language to your own with the click of a button. Meaning we get to find out about more awesome events like this...
For some reason I’ve come over all Disney this week