We believe it's crucial for students to not just have a thorough knowledge of work flow and software, but also understand the VFX industry and pipeline where they will work. So during their course we invite established post production houses to coach them, this means they get direct feedback on their work from respected VFX supervisors.
It's the time of the week when I share with you the news that picked my interest over the last seven days. This time, there are the following goodies on offer: a cool making of from Framestore, some great new tutorials, a trailer of Pixar's "Brave", a new trailer for Spiderman and lots of education news related to Michael's latest announcements regarding education reforms.
After last week’s fruity frolics and forays into furniture, we began week four of our Maya Course finishing the seat cover of our poly modelled chair. The back row gang was complete again as our comrade James returned as he was unable to attend last week’s lessons. He was gutted to miss the chair making exercise, because he’s a budding furniture designer now hoping to get an internship at a London studio, and believes learning Maya will boost his creative potential.
After an absence of a week, I am back again with my usual digest of news. This week, we have some great showreels from the likes of Pixomondo, a great trailer from Spiderman and even some tutorials.
I was sitting in the front row, next to Rodrigo from Brazil, on Monday night, as our class made an effort to complete the exercise of modelling fruit in NURBS, before we moved on to making a chair in Polygons. I felt a little more confident, after practicing my Primitive Man Online tutorial last weekend, and I looked forward to shading and texturing my wonky apple. But before I got to that moment there was a NURB banana skin, waiting for me to slip on.
This was hardly surprising news, but the positive spin put on this stat by Universities UK, was that the drop wasn’t as great as predicted. However, a decrease of 8.7% is significant, and demonstrates prospective students are unable or unwilling to pay the increase in fees imposed by the current government.
There were more women than men applying, but the biggest drop is not amongst school leavers, down only 3.6%, but from older students over 21 which were down significantly.
However, there was also a slight increase in overseas students applying here, and conversely more UK students are applying abroad, for example, Maastricht University forecasts 600 applications.
It’s not rocket science figuring out that fees of £9000 p/a over a three year degree, plus all living costs will be a considerable sum to repay, and for a non-vocational degree, it will require serious thought to justify. After all, if the degree studied will not guarantee a job at the end earning you X amount, then being saddled with that kind of debt is a hefty burden to bear.
Even the prospect of the student idyll and those first tastes of freedom living away from the parents, in the life of Riley, may now seem a little indulgent.
In our sector, Animation and Computer Graphic degrees are wide ranging and extensive, but this can be both their strength and their weakness. Yes, you may learn a wide range of skills, direct your own mini movie masterpiece, and if you’re exceptionally talented and hardworking, this film may lead to a job winning Showreel.
The reality is too often we see films that are either strong in one discipline but severely lacking in others, so making the overall effect disappointing. Or either, so many students have worked on one jaw dropping movie, that it’s hard to see exactly how much of a role any one individual played in the overall execution.
If getting a job is your top priority, fair to say it’s better to study an in-depth industry specific course, such as we offer here at Escape Studios, rather than something less focused.
Flipbook, the Manchester based animation and VFX boutique studio, are celebrating a second year in business this week. Quite literally two years ago to the date (February 8th 2010) they took on their very first job. Since then Flipbook have grown from strength to strength, and look forward to a prosperous future as they make some significant upgrades in the company’s workflow.
If you’re an aspiring VFX artist, knowing Maya inside out is an absolute must. On our VFX course, I make sure that every student has a good understanding of Dynamics and linking objects kinematically which are an integral part of the VFX pipeline. Not knowing these just isn’t an option. They form part of a basic skillset which post houses will expect you to know. That’s why, this month, I’ve created a tutorial which will give you two new skills you can add to your showreel. Being able to use Dynamics fluently will demonstrate to potential employers that you understand the key techniques in VFX and are ready to take your first steps in the industry. So what are you waiting for? Log on to our eLearning platform and add these skills to your existing toolset.
Are you an aspiring CG artist who’s trying to get your CG career off the ground? Are you working in the creative industry and want to transfer your skills to VFX? We know how difficult it can be to make decisions and chose the right path, but that’s where our Careers Guide can help. By revealing the many opportunities that exist within the CG industry, the guide helps you overcome some of the hurdles you might face when you start making career choices.
There's all sorts of goodies in this week's edition of my News Round Up: we have free sofware from DAZ3D, some cool VFX breakdowns, the usual Oscar related stories, and lots of lots of news on the state of the UK education system. Hope you enjoy it, and as usual, I welcome your feedback.
This week, my round up of CG news features software and hardware announcements, interviews with VFX professionals, and some cool new VFX breakdowns. Hope you enjoy it!
My, what a busy week! There are announcements from the likes of Pixar about their RenderMan software, interviews with London studios such as Pixomondo and the much more education controversy. Here's my pick of last week's more interesting stories.
After the usual slow down over the festive & new year period, here at Escape Studios recruitment department we're now experiencing a big surge in demand for freelancers, right across the board.
This is possibly the moment many of you have been waiting for… HIERO, The Foundry's latest software project, has gone to beta. A closed beta ran over a short period of time for few individuals who got their name on a waiting list nice and early, and from what I’ve heard, they really enjoyed putting it to the test.
A few weeks ago, we posted some details of changes and improvements we were making to our courses. We promised we would be giving details of these improvements soon, and today we are going to be talking to you about Houdini.
After an interesting last week in our Los Angeles studios, I have come back to what seems to have been a week dominated with announcements about the state of our education system. But my round up of news is not just about education news, and this week, there is news about what the London Olympic stadium is going to look like, details of Cinecite's internship program and lots more...
The Visual Effects Society (VES) are holding their 10th annual awards ceremony very soon, set to define the greatest VFX moments from 2011. Earlier in the week VES released their nominations for this year’s awards, a list that recognises the outstanding VFX achievements across film, animation, television, commercials and games. Regularly referred to as the “Oscars” for the visual effects world, this is a highly prestigious event for VFX professionals internationally. Receiving an award from any of the 23 categories is a great honour.
First week back at work and it's as if Xmas was months ago. The news certainly kept on coming this week, and here is a quick summary of what I picked up on this week.