Having the opportunity to learn over the web has been hugely beneficial for many aspiring CG artists. The perfect solution to fit around busy schedules, it has allowed students worldwide to take advantage of the comprehensive VFX and Compositing training we offer. But of course, the success of this tuition is very much down to our fantastic Escape tutors.
Some of you may have been feeding off the trickle of teaser footage in circulation for the Iron Man triquel, coming to a cinema screen near us soon! And if you are one such person, you’ll be delighted to learn that a ‘full’ teaser trailer is now doing the rounds, showing off the abundance of action in store for us upon its release in April 2013.
We are pleased to announce that The Pixel Farm has been awarded a TVB “Best Of IBC” for their detailed depth map creation and stereoscopic conversion software product, PFDepth.
PFDepth has been recognised for the opportunities it presents to the industry and praised for its ability to greatly increase productivity.
PFDepth retails for £2000 and integrates seamlessly with the other PF family products especially PFTrack.
With the help of some top class industry speakers, cinemas in a handful of the world’s most prolific post houses, a dedicated team of Escape staff and some fantastically helpful VFX Marshalls, it is no surprise the UK’s first ever VFX Festival, was a storming success.
As a design graduate with 7 years’ experience working within design departments in architecture and retail I spent what time I could learning how to model and animate to create short sequences influenced mainly by films I like. Although fun, learning that way means progress is very slow as is the rate of improvement - at least in my case anyway. I wanted to get better quicker and that's why I signed up for the VFX Production course.
As you probably know Escape Studios organised and hosted the UK’s first VFX Festival last week with events, seminars and master classes taking place across London. The VFX Festival went down an absolute storm and was a fantastic platform to demonstrate the success of the UK’s ever-expanding visual effects industry.
Last week saw the UK’s very first VFX Festival, hosted by Escape Studios—a four-day spectacular exploring the breath-taking world of visual effects. Our industry pals and we celebrated the last decade of VFX with a jam-packed schedule of exclusive events, and it was our tutor-led workshops at Escape HQ that seemed to particularly whet the appetites of all those budding VFX artists out there.
Want to be a part of a European forum to discuss the latest research, advances and state-of-the-art industry practises?
It seems that for the last decade, a whole plethora of films have been remade when the original should never have been touched. Classic cult offerings such as Assault on Precinct 13, Cape Fear, Death Race 2000 and even Clash of the Titans have all undergone a reworking, which some might say was wholly unneeded.
Most people know that Escape Studios is a world class CG Academy as well as a leading supplier of the latest technology and software to the industry. A lesser known fact is that Escape is also a leading Post Production freelancer agency who work with some of the top studios in the world, we understand better than anyone the challenges of resourcing a project.
Riding on the excitement of the new Bond film, Skyfall, Heineken has a James Bond themed ad, featuring Daniel Craig. The VFX for the ad were done by none other than our good friends at The Mill, and the global TV and digital campaign will be activated across 32 markets and involves the participation of the film's stars, Daniel Craig and the latest Bond girl, Bérénice Marlohe.
Looking to learn something new? If that’s the case, then we have two webinars coming soon that deserve your attention. Both webinars range from beginner friendly, to the more advanced, where NUKE operators can learn more about how to apply Python to their projects. Both webinars are at either end of the spectrum, concentrating on the art of compositing in all its different forms. So to get a better understanding of skilful compositing, make sure you tune in for either or both presentations.
London 2012: a year of sporting valour and competiton to divide nations; of edge-of-our-seats spectacle and awe. I am speaking, of course, about Electric Theatre Collective's Biscuit World Cup (BWC)— and the suspense is such that we at Escape Studios could all do with a sit down, a nice cuppa cha and, well, a barrel of our dunkable little friends.
With all of the buzz surrounding Escape Studio's launch of the UK's first VFX Festival, it's an opportune moment to reflect on the evolvement of the VFX industry over the past decade.