Check out this interview with Marc Weigert, the 2012 Co-producer and VFX Supervisor behind the blockbuster 2012. His team of over a 100 artists worked on this feature and formed the central VFX hub for the movie. To their credit they completed an astonishing number of shots within a very short timeframe using a traditional pipeline, including eyeon's Fusion and Generation. Here he chats to eyeon's CEO Steve Roberts about the Visual Effects in the film.
Nick Savy, our character tutor, has done us another fantastic sketch.
Step Three - Layout
Step Two - Animatic
Here at Escape Studios, we pride ourselves on our close links with the industry. One of the ways we maintain these links is by having tutors who have done the jobs they teach. This means that our tutors are some of the best CGers in the business, and they’re an incredibly creative bunch.
I am currently working on (amongst other things) a simple animation in order to demonstrate the Top Down Animation Technique. The animation I am going to do is of a character walking up and sitting down in a chair then tipping backwards. I thought it would be interesting to demonstrate the steps that I would go through in doing an animation this way, so I'll be posting my progress as I go.
We have good news for all users of Zbrush: the new ZBrush 3.5 update for Windows has just been released. It's called R3, and it has loads of new features and enhancements as well as a better toolset. If you are a registered user of Zbrush, you can download it for free here.
I have been asked by a number of Webinar Attendees about what books I would recommend for animation. So I thought I would give you a list of all the ones I have.
Not sure how many of you have been following this story, but a whopping 20 feature films have been submitted for the Animated Feature film category for the upcoming Oscars. This is great news for the industry as it means we’re well on track to getting five nominees qualifying for the category at the awards next February (we normally only have 3!).
Thanks to everyone who attended my "Becoming a World-Class Animator" webinar last night - it was great to get a chance to speak to all of you! We're going to make the presentation available in the Escape Studios Free Resources section of our website soon - so make sure that you keep an eye out for it.
All the talk of stop motion animation last week got me thinking, so I went in search of some great examples of this type of work. This Western Spaghetti viral is awesome.
Now this is what we like to see – children getting involved in animation from a young age. This week we heard that Tate is teaming up with Aardman Animations, the team behind Wallace and Gromit, to create a new film. And, they want children to help them brainstorm. Check out the video on our YouTube channel.
Towelling for grass, cotton balls for smoke and cling film for water – Wes Anderson has reverted to traditional forms of animation in his new film Fantastic Mr Fox.
Our September Free video tutorial is now available! This month, we are giving away an hour long tutorial from our Online Animation Course.
An article appeared in last weekend’s Sunday Times discussing the fact that two of Britain’s former polytechnics have outperformed Oxford and Cambridge by getting more of their graduates into work than any other university. For years vocational courses, typically taught at newer institutes, have been stigmatised for their lack of academic prowess. However, employers in some industries, such as the computer graphics industry, prefer to hire candidates with vocational qualifications, so could this mean opinions are about to change? Universities are starting to understand that certain courses, which can be tailored to specific careers, will produce graduates with more relevant skills than those covering a broad range of theoretical topics, leaving students in a better position to find work after they graduate.
The first trailer for the upcoming Disney Feature The Princess and the Frog has just been released. It heralds a return to the hand drawn traditional animation that Disney is famous for. I for one am excited to see it and hope that it heralds the rebirth of traditional animation as a whole.
I watched Dreamworks newest animation feature, "Monsters vs Aliens" recently and found it to be both truly amazing and really bad. Some bits of animation were brilliant, funny and a joy to watch (such as the cracking the computer code dance scene), while others were disappointing (like the General's entrance and a lot of his dialogue). I felt that the story was just above average. Not bad and not brilliant.