Ever wondered how much you change in the space of 4.5 years? Would you take a photo of yourself every single day and then animate it?
As of last month Autodesk released the 2013 update of their 3D software, and with that you’ll find a variety of enhancements and new features that make these versions pretty special. In our competitive industry, having the latest and greatest tools to complete the job is always a bonus, and the 2013 versions may well set you on your way to creating work that stands out from the crowd. Of course for many of you, the cost can make upgrading a tricky business and that’s why we want to make sure you’re all aware of a promotion that could help stretch the pennies a little further.
Finally we can take a glimpse at the new Pixar feature animation, Brave. We’ve heard great things about the film, and so we’re all completely psyched about its upcoming release later this summer. This is Pixar’s first time to tackle a fairy tale, and it’s set to be much darker in tone to their previous Pixar releases, as it takes inspiration from the masters of whimsical storytelling, Hans Christian Anderson and Brothers Grimm.
I am part of a generation that has been particularly spoiled by the advances in stop motion animation. I remember watching TV shows like Noddy, Fireman Sam, Pingu and Postman Pat and films like The Nightmare before Christmas, James and the Giant Peach and Chicken Run as a kid and being in complete awe.
Last week Claire Anderson, Talent Manager at The Mill divulged some of the greatest tips and tricks young artists need to apply in order to cut it in the VFX Industry. I have to say; I couldn’t help but feel a little awestruck listening to our Training Manager and Claire chat away during the 40 minute webinar because of the room we were stationed at. It was like something from a bond movie – check out the pictures! Filled with The Mill’s previous conquests (let’s be clear that I’m talking about Oscars and Bafta’s here….) I kept expecting a drinks cabinet and a man with a white cat to appear from behind one of the walls. One thing’s for sure, The Mill certainly know what they’re talking about and have the awards to prove it.
The quality of work that our students create during their Visual Effects Production course is always awesome and there's no doubt it's getting better and better. When you consider that every student doesn't just attend their daytime lessons. They have to find, track, model, light, texture, render and composite a shot in just 6 weeks that shows the extent of their ability. One of our former students and now Studio Assistant Ashley Miles remembers how stressful it can get.
When Sue Rowe, Cinesite’s senior VFX Supervisor on John Carter, came in to talk to our students it was like a breath of fresh air. Reassuringly, despite having masses of technical and creative responsibility, her fundamental joy is much the same as the students studying with us – that blowing stuff up is what still excites her.
Every month, Develop review the brightest and best courses and colleges in the world of Computer Graphics. And this week, we've found ourselves in the spotlight!
IKinema is a UK based company with a great technology for quick full-body solving and animation. Their flagship product, IKinema Action, is a plug-in for Maya that enables artists to rig characters as well as stream, retarget and record motion capture data, in less time. It is also a very cost effective solution.
With the release of IKinema Action version 2.0 there has been a range of updates and enhancements made to an already very powerful technology. This upgrade also brings with it a new price. The new pricing will take effect from April 1st, so that leaves you with 2 days to purchase this new version under the old price. For more information on this, please contact our software team.
Moving on from the presentation by Kevin Jenkins we turned our attention to Ben Morris who gave us the low-down on his role as a VFX Supervisor. As we watched the end sequence of War Horse, which is the part where we discover the fate of our hero’s horse, we all became a little misty eyed, but were quickly reassured by Ben that no horses were harmed during the making of this film. Needless to say, we were all very impressed with the great VFX work done by the guys at Framestore and how realistic the horse looked. Surely Mr Spielberg wouldn't have it any other way.
Make sure you don’t miss out on our 10 DAY SPRING SALE to purchase any of our Self-Directed Online courses at half price! Whether you want an introduction to Maya, to learn how to animate a character or get to grips with visualiation for V-Ray, these in-depth short online courses are the most efficient way to pick up new skills and expand your CV.
On March 29th, Shapes in Motion will be running an 'Acting for Animators' class. It's a great little course and one which can really help you understand how to bring your animations to life. If you'd like to find out more, here are the details.
Here is the trailer for the new 3D stop motion comedy thriller by Laika, the animation studio that brought us 'Coraline'. Norman 'I see dead people' Babcock is a local boy from a small New England Town who has the ability to see and speak with the dead. The movie will follow Norman as he takes on ghosts. zombies and worst of all, grown ups to save his town from a century old curse. Cannot wait to see this film! But what do you think of the trailer - we want to hear it!?
HP has partnered with DreamWorks since the beginning, helping the business mature into the well-oiled animation machine we know today. HP is responsible for the hardware platforms at the very heart of the company, with a storage infrastructure that allows the team to share data quickly and easily over a global network, as well as state of the art workstations and monitors for creating detailed and realistic effects. In the video above, the team at DreamWorks discuss how HP technology has contributed significantly to the company staying on the cutting edge and how this technology brought to life the 2011 production of Puss in Boots.
A very sad day indeed for the comics industry and for all of those like me who grew up within the amazing and imaginative world of Moebius. I have always been an avid comics fan and for me, the two most influential peolple have been Stan Lee (he taught me very important words such as puny proverbiale and imperious rex) and Jean Giraud who I stumbled upon by accident. He introduced me to the world of french comics and it was a revelation. The French are masters of comic art and narrative, and the works of Moebius have inluenced all manner of media including some of the most important science fiction films.
His legacy will no doubt live on - a true inspiration. You can read the full article on the Geek Out Blog.
On Thursday 29th March, Escape Studios are hosting an event at the Barbican Centre that will discuss the art of 3d visualisation. Joined by four industry speakers this is an opportunity to discover how professionals in film and other media create stunning as well as captivating animated visuals. The event is aimed at anyone working in the business of 3d visualisation, whether that’s in architecture, design, engineering or media and entertainment. We would like to invite you all to this exclusive event as we expose the creative side of this visual form.
I've seen a lot of stop motion animation videos lately made with Post-it notes, and all sorts of other media. Some have made me chuckle, and some have made me laugh, but when I stumbled across this sweet video for 'Love is making its way back home' I was absolutely gobsmacked.
Here is my usual jumble of news to start off this week. There are tutorials, news of various software releases, a cool "Making of Rango", and really sweet advert for Twinnings tea, and lots more. Feel free to add anything I may have forgotten.