The Visual Effects Society (VES) are holding their 10th annual awards ceremony very soon, set to define the greatest VFX moments from 2011. Earlier in the week VES released their nominations for this year’s awards, a list that recognises the outstanding VFX achievements across film, animation, television, commercials and games. Regularly referred to as the “Oscars” for the visual effects world, this is a highly prestigious event for VFX professionals internationally. Receiving an award from any of the 23 categories is a great honour.
I promised to keep you posted on how we're changing our curriculum to include Houdini in some of our courses, and that’s the subject of this post.
For all of you architects and designers out there, we’ve just launched a competition which could see you win the latest kit on the market! In association with HP and Chaos Group we have a much coveted prize up for grabs for one lucky winner who can answer three questions correctly. The successful winner will take home an HP EliteBook laptop with software V-Ray for 3ds Max – two essential tools to compete in a fast paced, competitive industry.
First week back at work and it's as if Xmas was months ago. The news certainly kept on coming this week, and here is a quick summary of what I picked up on this week.
Digital artist Kelly Richardson recently completed an artist’s residency at the Pixel Palace, a new digital media arts programme of the Tyneside Cinema in Newcastle upon Tyne. During her time there, she began initial research and production into an ambitious new three projection video installation entitled ‘Mariner 9’. During her residency, the Pixel Palace commissioned a short film about the work being developed where she explains some of her processes and ideas behind the new installation.
As some of you may know, we recently launched a new course called "Visual Effects Animation Professional". Well, our first group of students from the courses have been handing their projects in and I wanted to take the opportunity to showcase a fantastic piece of work by Hyeon Joon Kang. His work clearly shows how the VFX pipeline works and if we retrace his steps, we can take a closer look at each part of the process. Joon's project is a great illustration of what we teach in this new course and what you can achieve in just 18 weeks with us.
After an incredibly busy couple of months dealing with students' end of courses projects, as well as completing the first shot for my own showreel, I've found the time to work on the next episode of iNuked: my personal project to explore the possibilities of using The Foundry's professional compositing software NUKE, on my MacBook Air.
For those of you who logged into my November Free Tutorial entitled Animate a Bird and Make it Fly, you'll remember that I promised to deliver a second part to it. This tutorial uses a pre-created rig, which you can buy here and explores the mechanics of bird locomotion. It costs just $5 and trust me, it’s worth it. If you'd like a re-cap of what was in part 1, you can find all the details here.
We came across this video and just had to share it with you all. Check it out!
It's been a while since my last News Round-Up... Hopefully, you will all be rested after this holiday season and rearing to go. So, to get you going, I have selected a whole bunch of news items which have been published over the last couple of weeks.
For anyone who hasn't seen it yet, here is a great video that shows life behind the scenes at Dneg. It is a really good way to get an idea of what it would be like to work for a world class Visual Effects house like Double Negative. They are one of the fastest growing Visual Effects houses in the UK and one of the top Visual Effects houses in the world.
For anyone with an iPhone or an iPad here is a great app from our friends at MPC. If you are interested in entering the VFX industry, this is something which I would highly recommend. MPC's app shows the jobs they have available as soon as they are published, and is a great way of finding out about those entry level positions that aspiring artists are after.
Winter has finally arrived at our doorstep and the Christmas holiday is just around the corner! Hurrah! That means it's time to hang up the party shoes, put on the UGG boots and embrace the world of winter hibernation.
After a busy year of new course launches, we now have Visual Effects and Compositing training to suit everyone, whether that’s Classroom Training or Online Mentored study. We know what you need to learn but also understand that everyday life can sometimes make this difficult. This is why we’ve tackled this head on and ensured that our training is flexible and works for you.
Last Thursday, the winners of CG Whiz 2011 were announced at the much anticipated Reveal Event held at our Escape Studios headquarters in London. The room was busy with noise and champagne as Daniel Danielsson waited patiently to find out whether he had scooped first place. He needn’t have worried though as Mark Cass our General Manager and head judge Lee Danskin soon explained why Daniel deserved first place. With no professional training at all, he took it upon himself to learn all of the software that enabled him to create such a professional looking showreel. Check out the Reveal Event video, created by The Mill, to find out why Daniel was pretty much speechless when he found out.