It’s always great to find out how escapees get on after their training and enter the world of work. Last week, we met up with ex-student Robert Holmes out at SIGGRAPH. Since his time at Escape, Rob’s gone on to work on some amazing projects at The Mill. He took time to tell us how he got his break and what’s needed to be successful in this industry.
For those that may not have heard, the UK Film council is under threat of closure after having its funding cut. The UK Film Council has done many great things for the industry since its inception in 2000. We now have the highest cinema attendance in 7 years, UK film exports are also the highest in 7 years, and inward investment in the industry has doubled from 2008 to now.
Firstly, a big thanks to everyone who has entered our CG Graduate Design Competition Award so far. Entries have been coming thick and fast and as always the standard has been exceptional.
Thanks also for keeping in touch via all our social networks - it really is great to hear from you all and it just reaffirms our belief that the UK and the US have a wealth of talent and will undoubtedly produce many future stars in the CG world.
Everyone who studies with us knows how much emphasis we place on our close ties with the industry. The members of our advisory board include some of the biggest names in CG, and they advise on everything from course content to placing escapees in work after they graduate. We are therefore very pleased to announce that Christian Roberton, MD of Film at MPC, has joined the team.
Now almost as hyped an event as the World Cup itself, the Nike ad this year starred a host of big names, from our own Wayne Rooney through to Franck Ribiery of France, Italy’s Fabio Cannavaro and even shiny Cristiano Ronaldo of Portugal. Most people will have seen at least one of the shorter clips, if not the full thing, and the eagle eyed among you will know that the guys at the Mill were on hand to provide the VFX wizardry.
For those of you that have been eagerly waiting for the next release of Fusion, you’ll be pleased to know that Version 6.1 is out now and available for shipping.
It’s been pretty busy for Nik since completing his VFX course a few weeks back. After a stint at Atticus Finch and then Framestore he’s now working at legendary post house MPC. We caught up with Nik, sat him down, and asked him what it’s like being the new FX TD on the block.
Today we’ve launched a brand new set of online mentored learning courses to offer a helping hand to international grads and drive the next wave of computer graphics talent. The twelve-month course offers the same high quality, interactive training experience as our flagship Visual Effects classroom course.
Our friends at Pixologic have done it again... There seems to be no stopping the development team and now Windows and Mac users will unite!
On Monday August 9 ,2010 existing users will be able to upgrade FREE OF CHARGE! Updated versions of all major plugins, and GoZBrush support for Modo, Cinema 4D, 3DSMax and Maya for Windows and Mac systems.
More information about ZBrush 4.0 and its features will be presented closer to launch date.
It's great to see entries coming through for our Graduate Design Awards. Just a quick reminder you need to upload your show reel to our YouTube channel and then complete your entry by sending your contact details to email@example.com. We need your name, showreel title, email address, telephone number, year of graduation, university and course attended.
The Chaos team held their very first UK event in London last week demonstrating V-Ray pipelines and some cool new technologies that are yet to be released. It was a fun afternoon with plenty of tips and demos from both Peter Mitev and Vlado Koylazov showing us just how the experts do it in V-Ray.
We have a real treat in store for you with July’s free tutorial; it’s a pretty technical and hands-on, and takes an in-depth look at geometry tracking within PFTrack.
It’s one of the final tutorials taken from our Camera Tracking for VFX Course and explains how the use of geometry can ‘Solve’ the motion of an object, enabling CG elements to interact with live action objects.
Autodesk have just released a new set of hotfixes for their 3ds Max series of products for you to get stuck into.
We’ve launched the CG Graduate Design Awards aimed at uncovering talented uni grads in the UK and US. This is the first international competition of its kind, where we’ll be giving fresh talent, a helping hand into the competitive computer graphics world with our partners The Mill. So, if you’re a student or recent graduate dreaming of breaking into the industry, this is the opportunity for you.
The eagle eyed amongst you will have seen that we’ve got a slightly different look about us – we’ve got a new website and a new brand. We’re still the same Escape Studios, we’ve just revamped everything to make it more accessible and better connected.
There has been lots of talk about CityEngine recently... and until now you couldn't easily try it out.
Everyone knows the importance of a well put together show reel, but it's surprising how many there are out there that fail to tick all of the right boxes. Very often a show reel will fail to showcase the breadth of skill of the candidate, or will let itself down with a few issues that are fairly simple to fix. Therefore, we've put together a list of points to help you perfect your show reel and to maximise the impact it has on prospective employers. After much discussion at Escape Studios, plus a fair bit of back and forth on Twitter, we have whittled down the list to these 8 tips:
As many of you will know, we are running our first Animation course with our new tutor Alex Williams starting on July 5th, and we still have a couple of places remaining. If you are interested in learning how to become a professional animator, and want to take advantage of Alex’s expert knowledge, then please get in touch to reserve your place. There are only a couple of weeks to go, so make sure to get in touch straight away!