If you use Autodesk Maya for animating characters and models, then you may want to check out this cool new animation plug-in called IKinema.
The team here at Escape are on day 12 of the Mo' growing, for some of us it's more like no growing... But it's all for The Prostate Cancer Charity so we don't care!
We have some updated pictures, please laugh, we are every day!
Please sponsor us, any amount really appreciated!
We’ve had some fantastic entries for CG Whiz 2010, but the deadline is fast approaching. Any entries submitted after midnight tonight (Pacific Time – 8 am GMT or 7 pm in Sydney, Australia) will not be counted, so you’ve only got a few more hours to get your reel in. You can do this via Twitter, Vimeo, YouTube or Facebook, but remember to email CGWhiz@escapestudios.com with your contact details too.
There's nothing better than gaining extra skills - especially when you can do it for free. This month's free tutorials have been taken from our Camera Tracking and Nuke courses and are great for boosting your skills if you're looking to become professional. The great thing is, they're just 10 minutes long so you can easily work through them in your lunch hour, but like last month's six free Maya Tutorials they're staying in our e-learning platform permanently so you can refer to them whenever you want.
Few of you will have missed this morning’s headlines about yesterday’s violent student protests in London. Taking to the streets is not something that comes naturally to British people – unlike the French, who view student protests almost as a right of passage. So, having 50,000 of them marching in London shows the level of discontent over the government’s recent decision to increase tuition fees.
VFX escapee, Jacob Flint has just bagged a job at The Mill which as you can imagine he's pretty pleased about. The truth is, we are too. Having studied with us for 12 weeks on our VFX Production course, Jacob learned all of the vital skills that he needed to get started in the industry right away. He was pretty nervous during his interview but ultimately his skills shone through.
Having started at the beginning of October, the first batch of students from our Online Mentored Visual Effects Course are well under way and the initial results of their work has been great.
Last week, we launched our first academic qualification, an MA in Visual Effects Production, which we’re running with the University of Bradford. You’ll probably be wondering what we’re up to, what with everything that’s been in the news about how much university tuition is going to cost in the UK. Having collaborated on this project with some leading industry pros, however, I reckon we’re on to a winner. Here’s why:
Now, I realise that it’s a bit of a leading question, especially as all of us in this industry rely so much on technology…
I was just looking over some of the people in our alumni group on LinkedIn and it was great to see the amazing list of companies Escapees are working at. To the have the CG industries peppered with so many people from our courses is a great feeling and we'd love to hear from anyone who isn't in the group so we can see where you are and what you've been up to.
After yet another busy month here on the Recruitment team I decided to get out, visit the front line and find out how some of our freelancers are getting on. Partizan Labs are currently in the middle of producing a series of CG commercials for the Carphone Warehouse and are using Escape to supply the majority of their freelancers for the project. I caught up with Henry Scholfield to get an inside scoop on the project and how using freelancers works for them.
Escape Studios will be taking the Foundry’s products on the road with an event at Aardman Animation studios in Bristol on the 25th of November.
BOXX machines will now be even faster following nVidia’s recent announcement that they will be releasing a brand new graphics card, the Quadro Fermi 2000. This is the lastest addition to the nVidia Quadro Fermi Series, which are the industry’s only GPU-accelerated cards made for coping with HD-SDI video and 3D stereoscopics.