Deluxe Soho labs, formely known as Soho Images, have ceased taking orders for the printing of 16mm film!!
No doubt you’ll all be looking forward to the Oscars this weekend. It's particularly significant if you’re a VFX fan, with five nominees in the Visual Effects category this year rather than three.
Since winning our 2010 CG Whiz competition last year Stu Schwartz, Natalie Rocks and Justyna Galka have been on a world wind of activities. Stu wrote a blog recently about how excited he is to start studying with us in our brand new LA campus . He's also going to continue to blog about his experience on the course throughout his study so make sure you keep and eye out on our blog for that.
Want to know what it’s like to do one of our Mentored courses? Well we caught up with Escapee Ricardo Viana to find out how he got on – all the way from sunny Portugal.
First of all, I want to take the time to thank you all for taking part in our recent satisfaction survey. More than 2,400 of you took part, and over the course of the following weeks, I will be sharing the results of our findings with you.
"Another Autodesk purchase" I hear you cry as the news gets out that a cool $36 million CASH is to be spent on Scaleform.
I’m seeing a lot more studios looking at virtualisation and using new PC-over-IP technology to change their workflows - something that hasn’t always been possible within a CG environment.
If you are a freelancer or a professional working in post-production, you can save on our courses with funding from Skillset. The level of funding you receive depends on whether you're employed or work as a freelancer, and could see you save as much as 80% on our online self-directed courses.
I don’t think anyone was too surprised by last night’s BAFTAs. Personally, I was really pleased to see Inception win the Special Visual Effects award. With the hardware becoming more powerful, the software more sophisticated and the work ever more creative, as an industry the bar is set incredibly high, and it’s always great to see how people are constantly pushing the boundaries of what’s possible. It’s even more impressive when you consider who else was nominated.
Isilon have released a new "Storage in Virtual Environments" White Paper, which looks at the challenges studios face when adopting virtualisation. It shows how you can tackle the issue of managing huge amounts of data, giving you an useful insight into scale-out storage and why it’s better suited to managing next-gen storage requirements.
Have you seen the interview with our friends at Union VFX (the company behind the visual effects for 127 Hours) on HeyUGuys? With the Oscars around the corner, it’s good to get an insider’s view on one film that’s up for a few gongs.