Last week I mentioned the 'red carpet day' for Games companies at the BAFTA's. Well, The awards ceremony was last night and the results are in!
As most of you know, the UK Visual Effects' industry appears to be in a very healthy position at the moment. Many of the large post houses in Soho are in the middle of long term projects and most studios are commenting on the lack of available freelancers. As a result, the Recruitment team here at Escape has never been busier!
After the shocking events that hit Japan there is of course a severe knock on effect to our industry in terms of technology.
I have been out on the road over the last month visiting universities across the UK, as part of our university tour, and wanted to give you an update on my progress so far. It's been a bit of a whirlwind, but meeting up with such enthusiastic and creative people is never a chore - you come back full of ideas an imbued with the same enthusiasm
Lately I’ve been seeing a lot of new plug-ins and products starting to emerge. Some good, some not so good. But a few of them have really caught our eye, so we’ve decided to add them to our Techstore range. It means that there’ll be a lot of new additions for you to check out over the next few days.
For those of you who are starting to learn ZBrush or want to improve their ZBrush skills, we have an exciting new review of our ZBrush for 3D Artist online course for you to read. CreativeBloke.com has been reviewing the courses and published the first part of his review diary on this course.
Last night I caught up with Stuart Howard, the Managing Director of a start-up VFX studio that’s doing some great work.
If you’re an aspiring compositor who would like to know more about what the industry is going to expect from you, then sign up for my new webinar, entitled:'Entry Level and Junior Roles for Compositors".
FxFactory Pro's plug-ins are brand new to Escape Studios, and we are pretty excited about adding this clever package to our software range. FXFactory Pro is basically a bundle of 170 plug-ins which have been developed by Noise Industries specifically for CG artists who work with Final Cut Pro, Motion, Final Cut Express and Adobe After Effects.
I don't often get completed 'weirded out' by news announcements, but this one really made me stop for a second. Sports Business News published a story yesterday about this year's Wimbledon tennis tournament being shown in 3D. According to them, "The 3D coverage will be produced in partnership with the BBC, the host broadcaster of the tournament, and will also be offered to international broadcasters. Sony will also work with theatrical distribution partner SuperVision Media to take the action into cinemas".
This month’s free tutorial is aimed at the experienced Maya user. It has been designed by Mark Spevick, our VFX tutor, to help you master some of the advanced tools which can sometimes be complex and take a while to get to grips with.
Did any of you see the review of the 3DBOXX 8550 Xtreme in the latest issue of 3D Artist magazine? I can't say that I was surprised when I read that it had taken the title of the fastest rendering machine ever seen. We have been running test on this machine in our labs ourselves and have seen it deliver some pretty outstanding results.
The chances are, if you’re reading this blog, you’ve got more than a passing interest in the film industry. Alright, specifically the VFX part, but still, you’re keen to know as much as you can about the industry, and possibly how you can break into it (hopefully with our help…).
I came across an interesting little article yesterday on PodcastFilmReview.com about the top ten uses of special effects for story telling. It was refreshing to see someone looking at this from the angle of the story telling rather than just for the special effects themselves.