We came across this video and just had to share it with you all. Check it out!
It's been a while since my last News Round-Up... Hopefully, you will all be rested after this holiday season and rearing to go. So, to get you going, I have selected a whole bunch of news items which have been published over the last couple of weeks.
For anyone who hasn't seen it yet, here is a great video that shows life behind the scenes at Dneg. It is a really good way to get an idea of what it would be like to work for a world class Visual Effects house like Double Negative. They are one of the fastest growing Visual Effects houses in the UK and one of the top Visual Effects houses in the world.
For anyone with an iPhone or an iPad here is a great app from our friends at MPC. If you are interested in entering the VFX industry, this is something which I would highly recommend. MPC's app shows the jobs they have available as soon as they are published, and is a great way of finding out about those entry level positions that aspiring artists are after.
Winter has finally arrived at our doorstep and the Christmas holiday is just around the corner! Hurrah! That means it's time to hang up the party shoes, put on the UGG boots and embrace the world of winter hibernation.
After a busy year of new course launches, we now have Visual Effects and Compositing training to suit everyone, whether that’s Classroom Training or Online Mentored study. We know what you need to learn but also understand that everyday life can sometimes make this difficult. This is why we’ve tackled this head on and ensured that our training is flexible and works for you.
Last Thursday, the winners of CG Whiz 2011 were announced at the much anticipated Reveal Event held at our Escape Studios headquarters in London. The room was busy with noise and champagne as Daniel Danielsson waited patiently to find out whether he had scooped first place. He needn’t have worried though as Mark Cass our General Manager and head judge Lee Danskin soon explained why Daniel deserved first place. With no professional training at all, he took it upon himself to learn all of the software that enabled him to create such a professional looking showreel. Check out the Reveal Event video, created by The Mill, to find out why Daniel was pretty much speechless when he found out.
Tweak are working hard to develop and expand their powerful playback software, RV-image and sequence viewer. Their latest development comes in the form of RV 3.12.13. With this new version you get all the usual benefits of real time reviewing software, but now with the additional support of Python to make this version the most powerful yet. This new addition to the product has been in beta for a while now, and has benefitted from extensive feedback from customers reporting rough edges and bugs. With this valuable knowledge behind them Tweak are happy to release RV with Python, confident that the results will impress all.
Sometimes, you just come across something which simplify defies logic and the laws of physics... Today, I did just that when I discovered this incredible piece of 3D printing. It just goes to show the magic you can create with such technology. And if you fancy trying to build something like that yourself, here is where you can find some instructions.
This will be my last Weekly Round-Up of News for this year..., hope you enjoy it. If you have suggestions for stories I missed, just drop me a line or post a comment. I'll be sure to look at your suggestion during the Xmas break.
Have I got a treat in store for you today!... It has caused a real stir among us tutors at Escape Studios, and we could talk of nothing else yesterday morning.
It's been a while since we featured any escapee work on our blog so I wanted to show you a recent reel which has really impressed us.
I created this month’s free tutorial with one thing in mind: How can I help improve artists’ workflow’s? This tutorial explores Maya’s ‘Transfer maps’ tool and is designed to do just that. I’ve made sure that we cover this tool in great detail, providing valuable insight into how it works, and how you can avoid common problems. It’s a very practical, hands-on demonstration of the ‘Transfer maps’ tool and with it, you will learn how to bake a diffuse texture from multiple pieces of geometry to one individual model.
CG Whiz is over for another year, and it’s been a brilliant competition, with an incredible level of talent on show in both categories. It's now time for what you have all been waiting for, the announcement of the winners. But before I do so, I wanted to take time to give you some information on what our judges were looking for.
I thought I would let you guys into something special... A look at the truly fantastic Christmas video from The Mill's 2D department. In between working on some of the world's best VFX for commercial spots, The Mill still finds time to make a departmental Christmas video to compete at their Christmas party.
I have been a commuter for the past 20 years and I have had a lot of time to observe the small train eco-system. Over the years, it has been an incredible platform (excuse the pun!) to witness the general public's shifts in mentality and how technology has reached all areas of their lives.
Arthur Christmas is a must for any child wanting to get into the Christmas spirit this year. I know this as both of my children loved it and my test was to see whether or not I actually stay awake!
It's just fun. The CG is not meant to be ground-breaking - it simply is not Tintin - but that really wasn't the point. If you just want to go see a feel good children's movie then there is nothing better. It also has a great cast and some of my personal favourites actors: Hugh Laurie, Jim Broadbent and Bill Nighy (who continually makes me smile whatever he appears in or talks over).
Aardman have done a great job and they should be very happy with it, it has their stamp all over it.
An old colleague of mine (thanks Miles!) recently posted this link on his Google+ profile and I was instantly mesmerised. Illustrator Dave DeVries has had the amazing idea of taking children’s drawings and representing them as ‘realistic’ paintings in a project called “The Monster Engine”. The results are absolutely amazing. The artist describes his initiative as “a book, a demonstration, lecture and a gallery exhibition. The premise for all three came from one single question: What would a child’s drawing look like if it were painted realistically?”